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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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76 CATALOGUE OF SCULPTURE.161. Greek advanc<strong>in</strong>g with spear. Brunn proposes <strong>the</strong>name <strong>of</strong> Ajax, son <strong>of</strong> Oileus.Restored :—Crest, right hand, left forearm and part <strong>of</strong> feet.pi. 15, No. 9 ;pi. 16 ; Blonet, III., pi. 69, fig. 1,Cockerell,162. Greek archer, armed, kneel<strong>in</strong>g and draw<strong>in</strong>g his bow.This may well be <strong>the</strong> Aeg<strong>in</strong>etan hero, Teucer, bro<strong>the</strong>r <strong>of</strong>Telamonian Ajax.Restored :—Head, arms, several flaps <strong>of</strong> <strong>the</strong> cnirass, and left leg from<strong>the</strong> knee. Cockerell, pi. 15, No. 10 ; pi. 16 ; Blouet, III., pi. 66,fig. 1.163. Bearded Greek warrior advanc<strong>in</strong>g, with shield extendedand right hand raised to hurl spear. Perhaps TelamonianAjax.Restored :—^Nose, crest, half rightforearm, part <strong>of</strong> shield, both legs.Cockerell, pi. 15, No. 3 ; pi. 16 ; Blouet, III., pi. 68, fig. 1.164. Wounded hero, lean<strong>in</strong>g on his right hand, which helda sword ; <strong>the</strong> shield is held out to cover <strong>the</strong> body. Thisis ei<strong>the</strong>r Achilles or Patroclos accord<strong>in</strong>g to <strong>the</strong> chiefschemes <strong>of</strong> <strong>in</strong>terpretation.Restored :—Neck, right shoulder, f<strong>in</strong>gers and toes. Cockerell, pi. 15,No. 2 ; pi. 16 ; Blonet, III., pi. 67, fig. 2.165. Figure <strong>of</strong> A<strong>the</strong>ne presid<strong>in</strong>g over <strong>the</strong> battle. She standserect <strong>in</strong> <strong>the</strong> centre <strong>of</strong> <strong>the</strong> pediment, fully armed andwear<strong>in</strong>g her aegis. There is an archaic formality <strong>in</strong> herpose and <strong>in</strong> <strong>the</strong> composition <strong>of</strong> <strong>the</strong> drapery, which showsthat <strong>the</strong> artist has adopted a traditional type <strong>of</strong> templeimage.The earr<strong>in</strong>gs, locks <strong>of</strong> hair, a Gorgoneion, andsnakes border<strong>in</strong>g <strong>the</strong> aegis were made <strong>of</strong> metal, andattached.Restored:—Nose, right hand, part <strong>of</strong> left hand. Cockerell, pi. 15,No. 1 ; pi. 16 ; Blouet, III., pi. 67, fig. 1 ; Brunn, DenkmaelerNo. 23.

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