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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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FRIEZE OF PARTHENON. 147The subject <strong>of</strong> <strong>the</strong> frieze <strong>of</strong> <strong>the</strong> Par<strong>the</strong>non has beenconsidered, by most <strong>of</strong> <strong>the</strong> writers who have discussedit, to be connected with <strong>the</strong> Paua<strong>the</strong>naic procession atA<strong>the</strong>ns. Those who have held a different view havebeen <strong>the</strong> eaily travellers, such as Cyriac <strong>of</strong> Ancona, whodescribed <strong>the</strong> subject <strong>of</strong> <strong>the</strong> frieze as A<strong>the</strong>nian 'victories<strong>in</strong> <strong>the</strong> time <strong>of</strong> Pericles,' and a few recent authors.Davidson (TAe Par<strong>the</strong>non Frieze) sees <strong>in</strong> <strong>the</strong> frieze a repiesentation<strong>of</strong> a Panhellenic assembly, which Periclestried to collect at A<strong>the</strong>ns without success. Weber andBoetticher held that <strong>the</strong> scene represented is <strong>the</strong> preparationand reheartsal, ra<strong>the</strong>r than <strong>the</strong> procession itself.C. Petersen thought that different festivals are representedon different sides * (cf. Michaelis, p. 205).* The frieze <strong>of</strong> <strong>the</strong> Par<strong>the</strong>non records <strong>in</strong> <strong>sculpture</strong> <strong>the</strong> passionatedelight with which Greeks, and more particularly A<strong>the</strong>nians ( cf. Hel.Aeth., III. 1), regarded festal processions.A vivid commentary on <strong>the</strong> Par<strong>the</strong>non frieze is to be found <strong>in</strong> <strong>the</strong> thirdbook (chaps, i.-iii.) <strong>of</strong> <strong>the</strong> Aethiopica <strong>of</strong> <strong>the</strong> novelist Heliodorus. Thepassage adds <strong>the</strong> sound, colour, and movement needed for a complete conception<strong>of</strong> <strong>the</strong> scene. The writer, however, is describ<strong>in</strong>g <strong>the</strong> procession <strong>of</strong>a Thessalian embassy at Delphi, and some <strong>of</strong> <strong>the</strong> details only partially agreewith those <strong>of</strong> <strong>the</strong> frieze. "The Hecatomb led <strong>the</strong> procession, escorted bymen <strong>in</strong>itiated <strong>in</strong> <strong>the</strong> mysteries. These were somewhat rustic <strong>in</strong> dress andmanner, and had <strong>the</strong>ir white tunics closely girded. The right shoulderand breast were bare, and <strong>the</strong>y carried an axe <strong>in</strong> <strong>the</strong> right hand. Thebulls were followed by a crowd <strong>of</strong> o<strong>the</strong>r victims, each k<strong>in</strong>d be<strong>in</strong>g ledseparately and <strong>in</strong> order. Meanwhile flute and pipe were play<strong>in</strong>g a melodywhich was, as it were, an <strong>in</strong>troduction to <strong>the</strong> sacrifice. The cattle and<strong>the</strong>ir escort were followed by maidens with flow<strong>in</strong>g hair. They were <strong>in</strong>two troops ; <strong>the</strong> first carried baskets <strong>of</strong> fruits and flowers, <strong>the</strong> secondtroop carried flat baskets (Kava Kavriopovffai) with sweetmeats and<strong>in</strong>cense, and filled <strong>the</strong> place with sweet smells. They bore <strong>the</strong>ir burdenson <strong>the</strong>ir heads leav<strong>in</strong>g <strong>the</strong>ir hands free, and kept <strong>the</strong>ir ranks true bothfrom front to rear and from side to side, that <strong>the</strong>y might march anddance while <strong>the</strong> first troop gave <strong>the</strong> time, s<strong>in</strong>g<strong>in</strong>g a hymn <strong>in</strong> honour <strong>of</strong>Thetis. The troops were so harmonious and <strong>the</strong> sound <strong>of</strong> march<strong>in</strong>g wasso accurately timed to <strong>the</strong> song, that hear<strong>in</strong>g seemed better than see<strong>in</strong>g,and <strong>the</strong> spectators followed <strong>the</strong> maidens as <strong>the</strong>y passed as if <strong>the</strong>y wereL 2

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