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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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120 CATALOGUE OF SCULPTURE.This figure Las been long and deservedly celebrated for<strong>the</strong> perfection <strong>of</strong> its anatomy. In <strong>the</strong> front <strong>of</strong> <strong>the</strong> body,<strong>the</strong> flexibility <strong>of</strong> <strong>the</strong> abdom<strong>in</strong>al muscles is f<strong>in</strong>ely contrastedwith <strong>the</strong> strong framework <strong>of</strong> <strong>the</strong> ribs. The supple elasticcharacter <strong>of</strong> <strong>the</strong> sk<strong>in</strong> is here rendered with <strong>the</strong> samemastery as <strong>in</strong> <strong>the</strong> horse's head <strong>of</strong> <strong>the</strong> eastern pediment.At <strong>the</strong> back some <strong>of</strong> <strong>the</strong> surface has reta<strong>in</strong>ed its orig<strong>in</strong>alpolish. In <strong>the</strong> undulat<strong>in</strong>g l<strong>in</strong>es <strong>of</strong> <strong>the</strong> drapery, <strong>the</strong>sculptor has succeeded <strong>in</strong>water without hav<strong>in</strong>g recourse tosuggest<strong>in</strong>g <strong>the</strong> idea <strong>of</strong> flow<strong>in</strong>gdirect or conventionalimitation. The ground on which <strong>the</strong> figure recl<strong>in</strong>es is arock. The left hand rested on <strong>the</strong> bed <strong>of</strong> <strong>the</strong> pediment.A draw<strong>in</strong>g by Pars taken dur<strong>in</strong>g his visit to A<strong>the</strong>ns <strong>in</strong>1765—66 (engraved Stuart, ii., chap. I., pi. 9), shows part<strong>of</strong> <strong>the</strong> right forearm not shown <strong>in</strong> Carrey's draw<strong>in</strong>g, and<strong>the</strong> outl<strong>in</strong>e <strong>of</strong> <strong>the</strong> four f<strong>in</strong>gers <strong>of</strong> <strong>the</strong> left hand overlapp<strong>in</strong>g<strong>the</strong> edge <strong>of</strong> <strong>the</strong> pediment. A small attribute, probably <strong>of</strong>marble, was attached to <strong>the</strong> floor <strong>of</strong> <strong>the</strong> pediment <strong>in</strong> front<strong>of</strong> <strong>the</strong> figure.Mus. Marbles, VI., pis. 13, 14 ; Mansell, 700 ; Baumeister, Denkmaeler,p. 1181, fig. 1371 ; Michaelis, pi. 8, fig. 1 ;Oveibeck, Gr. Plast.,3rd ed., I., p. 310, fig. 64 ;Murray, II., pi. 8 ;Mitchell, Selections,pi. 4; Waldste<strong>in</strong>, Essays, pi. 3; Stereoscopic, No. 110; Sauer,A<strong>the</strong>nische Mic<strong>the</strong>ilunyen, XVI., p. 79.304 A*. Between A and <strong>the</strong> two next figures (B, C) a spaceis shown <strong>in</strong> Dalton's draw<strong>in</strong>g sufficient for a crouch<strong>in</strong>gfigure, though no vestige <strong>of</strong> such a figure is <strong>in</strong>dicated byCarrey. Traces also rema<strong>in</strong> on <strong>the</strong> floor <strong>of</strong> <strong>the</strong> pediment(Sauer, A<strong>the</strong>nische Mit<strong>the</strong>ilungen, xvi., p. 78). This gapmay have been filled by a crouch<strong>in</strong>g Water Nymph, associatedwith <strong>the</strong> Eiver-god. Brunn suggests a tributary <strong>of</strong><strong>the</strong> Eleus<strong>in</strong>ian Kephissos.304 B Cecrops and Pandrosos (cast),—This group still re-C. ma<strong>in</strong>s <strong>in</strong> <strong>the</strong> pediment at A<strong>the</strong>ns, though much <strong>in</strong>juredby exposure to <strong>the</strong> wea<strong>the</strong>r. It consists <strong>of</strong> a male figure.

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