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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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106 CATALOGUE OF SCULPTURE.Burfaco <strong>of</strong> <strong>the</strong> marble on <strong>the</strong> nock hav<strong>in</strong>g been protectedfrom wo;»thor by <strong>the</strong> cornice reta<strong>in</strong>s its orig<strong>in</strong>al polish.At <strong>the</strong> back and between <strong>the</strong> arms are <strong>sculpture</strong>d smallrippl<strong>in</strong>g waves to represent a calm sea at suTirise. Thesewaves are treated <strong>in</strong> <strong>the</strong> conventional manner usual <strong>in</strong>repicsentations <strong>of</strong> water <strong>in</strong> Greek art; <strong>the</strong>ir pr<strong>of</strong>ileshown on <strong>the</strong> edge <strong>of</strong> <strong>the</strong> pl<strong>in</strong>th approximates verynearly to <strong>the</strong> well-known wave pattern. The metalre<strong>in</strong>s have been attached to <strong>the</strong> upper surface <strong>of</strong> <strong>the</strong>pl<strong>in</strong>th under <strong>the</strong> right forearm, and also under <strong>the</strong>right hand, now lost ; three dowel holes <strong>in</strong> this part <strong>of</strong><strong>the</strong> pl<strong>in</strong>th served for <strong>the</strong>ir attachment. The waves wereprobably dist<strong>in</strong>guished by colour. It has been noted byMichaelis that <strong>the</strong> angle <strong>in</strong> which this figure was placedis <strong>the</strong> darkest spot <strong>in</strong> <strong>the</strong> eastern pediment, and that it isonly fully illum<strong>in</strong>ed by <strong>the</strong> early morn<strong>in</strong>g sun.Mas. Marbles, VI., pi. 1 ; Michaelis, pi. 6, fig. 8 ; Overbeck, I., p. 303,fig.61 (with B, C).303 B, Two horses <strong>of</strong> Helios. The team <strong>of</strong>Helios was representedC by four horses' heads, two <strong>of</strong> which still rema<strong>in</strong> <strong>in</strong> positionon <strong>the</strong> temple, at <strong>the</strong> back <strong>of</strong> <strong>the</strong> pediment. The two whichare here are <strong>sculpture</strong>d <strong>in</strong> <strong>the</strong> round out <strong>of</strong> one block<strong>of</strong> marble. They are represented emerg<strong>in</strong>g from <strong>the</strong>waves, <strong>the</strong> pr<strong>of</strong>ile <strong>of</strong> which is <strong>sculpture</strong>d <strong>in</strong> relief on <strong>the</strong>neck <strong>of</strong> <strong>the</strong> nearest horse. The head <strong>of</strong> <strong>the</strong> horse nearest<strong>the</strong> eye (B) looks outwards, and has projected beyond <strong>the</strong>plane <strong>of</strong> <strong>the</strong> pedimental cornice, so that it must havecaught <strong>the</strong> light. The action <strong>of</strong> this horse's head is mostspirited, though its effect is greatly impaired by <strong>the</strong> loss<strong>of</strong> <strong>the</strong> lower jaw, and <strong>the</strong> <strong>in</strong>jury which <strong>the</strong> surface <strong>of</strong> <strong>the</strong>marble has received from exposure to <strong>the</strong> wea<strong>the</strong>r. There<strong>in</strong>s were <strong>of</strong> metal, and <strong>the</strong> po<strong>in</strong>ts <strong>of</strong> attachment <strong>of</strong> re<strong>in</strong>sand bridle are marked by three dowel holes <strong>in</strong> <strong>the</strong> pl<strong>in</strong>th,a fourth beh<strong>in</strong>d <strong>the</strong> right car, and a fifth <strong>in</strong>side <strong>the</strong>

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