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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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SOUTH FEIEZE OF PARTHENON. 185at A<strong>the</strong>ns. This slab, which now only conta<strong>in</strong>s parts<strong>of</strong> <strong>the</strong> legs <strong>of</strong> two horses and a rider (No. 48) wasnearly complete <strong>in</strong> <strong>the</strong> time <strong>of</strong> Carrey and conta<strong>in</strong>edtwo riders wear<strong>in</strong>g petasoi or broad-brimmed travellers'hats.61. In slab xxi. <strong>the</strong> head <strong>of</strong> <strong>the</strong> horse <strong>of</strong> No. 51 and <strong>the</strong> XXI.52. head and shoulders <strong>of</strong> No. 52 are supplied by casts fromorig<strong>in</strong>als at A<strong>the</strong>ns. The fragment conta<strong>in</strong><strong>in</strong>g <strong>the</strong> head'''S.<strong>of</strong> No. 63, a figure wear<strong>in</strong>g a petasos, does not appear <strong>in</strong><strong>the</strong> plate <strong>of</strong> Michaelis.Slab xxii. and slab xxiii., which, with <strong>the</strong> exception <strong>of</strong> XXII.,a small fragment, is only preserved <strong>in</strong> Carrey's draw<strong>in</strong>gs, XXIII.conta<strong>in</strong>ed <strong>the</strong> lead<strong>in</strong>g horsemen <strong>of</strong> <strong>the</strong> procession.Thoseon slab xxii. are evidently pull<strong>in</strong>g up <strong>the</strong>ir horses, while<strong>the</strong> two horsemen on slab xxiii. are go<strong>in</strong>g at a foot-pace.All <strong>the</strong> paces <strong>of</strong> <strong>the</strong> horse are thus displayed with<strong>in</strong> ashort distance, at this part <strong>of</strong> <strong>the</strong> frieze. In slab xxii.a fragment conta<strong>in</strong><strong>in</strong>g a horse's head and <strong>the</strong> mane<strong>of</strong> ano<strong>the</strong>r horse, which Michaelis assigns to <strong>the</strong> team onslab xxiv., has been s<strong>in</strong>ceadjusted to its place <strong>in</strong> front <strong>of</strong>No. 66 ; to this has been fitted <strong>the</strong> small fragment <strong>of</strong> <strong>the</strong>comer <strong>of</strong> slab xxiii.The horsemen are immediately preceded <strong>in</strong> <strong>the</strong> proces- XXIV.sion by <strong>the</strong> chariot-groups.Carrey draws eight chariots, XXXIV.<strong>of</strong> which four partially survive and four are totally lost.On <strong>the</strong> o<strong>the</strong>r hand, a part rema<strong>in</strong>s <strong>of</strong> two groups (slabxxix.), <strong>of</strong> which <strong>the</strong>re is no trace <strong>in</strong> Carrey's draw<strong>in</strong>gs.These, <strong>the</strong>refore, must probably be placed <strong>in</strong> a break <strong>in</strong><strong>the</strong> sequence <strong>of</strong> slabs <strong>in</strong>dicated by Carrey. Orig<strong>in</strong>ally<strong>the</strong>re must have been not fewer than ten chariot groups.In each <strong>the</strong> charioteer is accompanied by an armedwarrior ; but here <strong>the</strong> armed figure is not like <strong>the</strong>apobates <strong>of</strong> <strong>the</strong> nor<strong>the</strong>rn frieze <strong>in</strong> <strong>the</strong> act <strong>of</strong> stepp<strong>in</strong>gout <strong>of</strong> <strong>the</strong> chariot <strong>in</strong> motion, but stands ei<strong>the</strong>r <strong>in</strong><strong>the</strong> quadriga or (if it is not <strong>in</strong> motion) by its side.

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