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A catalogue of sculpture in the Department of ... - Warburg Institute

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. METOPESOF PARTHENON. 141rivets. Carrey's draw<strong>in</strong>g shows that this metope hassuffered little s<strong>in</strong>ce his time.Mus. Marbles, VII., pi. 8 ;Michaelis, pi. 3, xxvi. ; Stereoscopic, No. 89.316. Ih this metope, <strong>the</strong> 27th <strong>in</strong> <strong>the</strong> orig<strong>in</strong>al series, <strong>the</strong>Centaur, wounded <strong>in</strong> <strong>the</strong> back, attempts to fly, but ischecked by <strong>the</strong> Lapith, whose left hand grasps him lound<strong>the</strong> left side <strong>of</strong> <strong>the</strong> head, while his left leg presses aga<strong>in</strong>sthis h<strong>in</strong>d-quarters. The right ai'm <strong>of</strong> <strong>the</strong> Lapith is drawnback to deal a blow, perhaps with a lance. The Centaur,rear<strong>in</strong>g up <strong>in</strong> agony, presses his right hand aga<strong>in</strong>st <strong>the</strong>wound <strong>in</strong> his back ; his left arm, now want<strong>in</strong>g, must havebeen raised, as appears from Carrey's draw<strong>in</strong>g, <strong>in</strong> whicha small piece <strong>of</strong> <strong>the</strong> upper arm is given. The left foot <strong>of</strong><strong>the</strong> Lapith presses firmly aga<strong>in</strong>st a rock. A mantle fallsover both arms, hang<strong>in</strong>g <strong>in</strong> festoons beh<strong>in</strong>d his back.Carrey's draw<strong>in</strong>g gives both <strong>the</strong> head, and right leg, andpart <strong>of</strong> <strong>the</strong> right forearm <strong>of</strong> <strong>the</strong> Lapith. In compositionand execution this is one <strong>of</strong> <strong>the</strong> f<strong>in</strong>est <strong>of</strong> <strong>the</strong> extantmetopes.Mus. Marbles, VII., pi. 9 ; Baumeister, Denkmaeler, p. 1176, fig. 1365 ;Michaelis, pi. 3, xxvii. ; Stereoscopic, No. 90.317. In this metope, <strong>the</strong> 28th <strong>in</strong> <strong>the</strong> orig<strong>in</strong>al series, <strong>the</strong>Centaur is victorious ;<strong>the</strong> Lapith lies dead under his feet.Brandish<strong>in</strong>g <strong>the</strong> lion's sk<strong>in</strong> on his extended left arm witha triumphant gesture, and lash<strong>in</strong>g his tail, <strong>the</strong> Centaurrushes forward to meet a new foe, with <strong>the</strong> ends <strong>of</strong> <strong>the</strong>lion's sk<strong>in</strong> fly<strong>in</strong>g beh<strong>in</strong>d him. His right arm, now want<strong>in</strong>g,must have wielded <strong>the</strong> weapon with which he hassla<strong>in</strong> <strong>the</strong> Lapith. The Lapith lies on his chlamys, hishead thrown back, his right leg bent up, his right handly<strong>in</strong>g over his right flank, his whole form relaxed bydeath. Carrey's draw<strong>in</strong>g gives <strong>the</strong> head, left foreleg,and greater part <strong>of</strong> <strong>the</strong> right arm <strong>of</strong> <strong>the</strong> Centaur, butwholly mis<strong>in</strong>terprets <strong>the</strong> figure <strong>of</strong> <strong>the</strong> Lapith. For

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