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A catalogue of sculpture in the Department of ... - Warburg Institute

A catalogue of sculpture in the Department of ... - Warburg Institute

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EAST PEDIMENT OF PARTHENON. 113this figure. The right thigh was identified and added<strong>in</strong> 1860, and <strong>the</strong> left knee <strong>in</strong> 1875. The figure is placedby Sauer <strong>in</strong> pr<strong>of</strong>ile to <strong>the</strong> left.Mus. Marbles, VI., pi. 9 ; Michaelis, pi. 6, figs. 14. 14a ; Baumeister,Denkmaeler, p. 1182, tig. \:il2.303 K, Group <strong>of</strong> three female figures (or, perhaps, a group <strong>of</strong>L, M. two, with a third figure less closely associated, <strong>the</strong> figureK be<strong>in</strong>g made <strong>of</strong> a difierent block from L and M). 'I'hefigures are seated on rocks, levelled on <strong>the</strong> top, and <strong>in</strong><strong>the</strong> case <strong>of</strong> L, M, cut iu step form to suit <strong>the</strong> composition.The rocks are covered with draperies. These threefigures are considerably more complete <strong>in</strong> Carrey's draw<strong>in</strong>gsthan now, and <strong>the</strong> motives can best be understoodwith <strong>the</strong> aid <strong>of</strong> <strong>the</strong> draw<strong>in</strong>gs. The figure K half turnedher head towards <strong>the</strong> central scene. The right arm wasbent at <strong>the</strong> elbow towards <strong>the</strong> front <strong>of</strong> <strong>the</strong> body. Thefigure L was headless <strong>in</strong> Carrey's time. The right arm,accord<strong>in</strong>g to Carrey's draw<strong>in</strong>g, was bent towards <strong>the</strong>right shoulder, as if <strong>the</strong> action had been that <strong>of</strong> draw<strong>in</strong>gup <strong>the</strong> edge <strong>of</strong> <strong>the</strong> mantle with <strong>the</strong> right hand. Thebody <strong>of</strong> this figure is bent forward and <strong>the</strong> feet drawn farback, as would be <strong>the</strong> case with a person wish<strong>in</strong>g tospr<strong>in</strong>g up. This motive forms a contrast to that <strong>of</strong> <strong>the</strong>recl<strong>in</strong><strong>in</strong>g figure (M), whose right arm rests <strong>in</strong> her companion'slap, and whose tranquil attitude and avertedgaze, shown by Carrey's draw<strong>in</strong>g tohave been directedtowards <strong>the</strong> angle <strong>of</strong> <strong>the</strong> pediment, seem to <strong>in</strong>dicatethat <strong>the</strong> news <strong>of</strong> <strong>the</strong> birth has not yet reached her.K wears sandals, a chiton with diploidiun, and a mantle<strong>of</strong> thick substance which passes across <strong>the</strong> knees, and over<strong>the</strong> left shoulder, above which it may have been heldwith <strong>the</strong> left hand. L wears a f<strong>in</strong>e chiton, conf<strong>in</strong>ed witha cord beneath <strong>the</strong> arms, and a mantle cover<strong>in</strong>g <strong>the</strong>back and pass<strong>in</strong>g across <strong>the</strong> knees. M wears a f<strong>in</strong>e

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