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2011-12 Academic Catalog - Cazenovia College
2011-12 Academic Catalog - Cazenovia College
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content varies each year. Different<br />
faculty from a variety <strong>of</strong> programs<br />
across the College may teach this<br />
rotating course. The content depends<br />
on the faculty member's expertise and<br />
the needs and interests <strong>of</strong> the student<br />
population. Potential topics include a<br />
mix <strong>of</strong> SA and FA courses: Art and<br />
Autobiography, Art and Politics,<br />
Museum as Medium, the Landscape<br />
Tradition, Photo-based Installation Art,<br />
Mural Painting, Public Art, Artist's<br />
Books, Sports Photography, and<br />
Fashion Photography. Prerequisites<br />
may be necessary for certain <strong>of</strong>ferings.<br />
SA 311<br />
Life Drawing and 3-D Forms<br />
3 credits (CS)<br />
This course explores the relationship<br />
between two- and three-dimensional<br />
representation <strong>of</strong> the human form.<br />
Students draw and sculpt the figure,<br />
concentrating on proportion and<br />
anatomy. Emphasis is on personal<br />
artistic growth as well as process,<br />
technique and content. For advanced<br />
work in figure drawing, this course can<br />
be "stacked‖ (taken multiple times <strong>by</strong><br />
taking Research Topics in the Visual<br />
Arts FA371/372/471 or 472).<br />
(Offered spring term)<br />
Prerequisite: SA 211 Figure Drawing or<br />
permission <strong>of</strong> the instructor<br />
SA 320<br />
On Assignment: Location and<br />
Documentary Photography<br />
3 credits (CS)<br />
Students learn the techniques <strong>of</strong><br />
documentary, photojournalistic and<br />
assignment photography. Students<br />
learn ―on assignment‖ <strong>by</strong> creating their<br />
own photo stories and completing<br />
various editorial photographic<br />
assignments designed to mirror<br />
common assignments for publication.<br />
Students work on and learn to shoot<br />
235<br />
both in-depth projects and ―single<br />
event‖ assignments. Location lighting,<br />
environmental portraiture, event,<br />
fashion, sports, and action<br />
photography, pre shoot planning,<br />
access, ethics, model releases, working<br />
with the subject, and editorial strategies<br />
are covered. Students also study the<br />
work <strong>of</strong> well-known editorial<br />
photographers and photojournalists,<br />
both historic and contemporary to<br />
create an understanding <strong>of</strong> the history<br />
and development <strong>of</strong> documentary<br />
photography and its role in society, as<br />
well as to inspire more accomplished<br />
student work.<br />
Prerequisite: SA 161 Photography I, SA<br />
263 Digital Photography, or SA 276<br />
Computer Imaging, or SA 261 Studio<br />
Photography, or permission <strong>of</strong> instructor<br />
SA 325<br />
Large Format Photography<br />
and Fine Printing<br />
3 credits (CS)<br />
Large format cameras are capable <strong>of</strong><br />
producing the highest photographic<br />
quality possible, and are thus the tool<br />
<strong>of</strong> choice for pr<strong>of</strong>essional and fine art<br />
photographers when image quality is <strong>of</strong><br />
paramount importance. In this course,<br />
students study the history, theory and<br />
use <strong>of</strong> these cameras, and produce their<br />
own body <strong>of</strong> creative work suitable for<br />
their pr<strong>of</strong>essional portfolios.<br />
Prerequisites: SA 161 Photography I, SA<br />
162 Photography II, SA 261 Studio<br />
Photography, or permission <strong>of</strong> instructor<br />
SA 330<br />
Forensic Photography<br />
3 credits (CS)<br />
This course examines the theory and<br />
techniques <strong>of</strong> forensic photography<br />
as a tool to aid in crime scene<br />
investigations, surveillance<br />
techniques, and presentation <strong>of</strong><br />
photographic and imaging pro<strong>of</strong> at