09.12.2012 Views

The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Parameter Setting<br />

Select unchecked<br />

LoTrack !LoTrack<br />

HiTrack 1000<br />

FreqScale !Scale<br />

FreqOffset !InHarm<br />

LoAmp 0<br />

HiAmp 0.2<br />

AmpHysteresis 0.1<br />

HearAll checked<br />

In this example, Select is not checked. This indicates that the criteria describe the tracks that should be<br />

rejected, not selected. In other words, whatever the list of conditions are <strong>for</strong> selection, you should add a<br />

“NOT” to the end of the list. So in this case, it is saying “select only the tracks above !LoTrack, NOT!” In<br />

other words, select only the tracks below !LoTrack.<br />

But notice that it also has the HearAll box checked. What does it mean to select some tracks if you are<br />

still going to let all of them through? This is where FreqScale and FreqOffset come into the picture.<br />

<strong>The</strong> selected tracks will have their frequencies multiplied by !Scale and then have !InHarm added to<br />

them.<br />

In short, this is a strange kind of “filter” where the “pass band” is defined by track (or oscillator) number<br />

rather than frequency and where the tracks within the pass band have their frequencies scaled and offset.<br />

Reducing Background Noise<br />

Play reduce background hiss, and experiment with different settings <strong>for</strong> !LowAmp. Open it up to examine<br />

the parameter settings of reject amps below !LowAmp, in particular:<br />

Parameter Setting<br />

Select checked<br />

LoAmp !LowAmp<br />

HiAmp 0.2<br />

AmpHysteresis !LowAmp * 0.5<br />

HearAll unchecked<br />

In this example, there is some background hiss that was present in the original recording and is faithfully<br />

reproduced in the resynthesis. <strong>The</strong> SpectrumModifier is being used to filter out tracks based on their amplitudes.<br />

If the noise in the original recording is consistently of lower amplitude than the desired signal,<br />

then you can use this method to reduce or remove the noise from the resynthesis.<br />

Probabilistic Resynthesis<br />

Next try the <strong>Sound</strong> called spectral granulation, experimenting with different settings <strong>for</strong> the veryscientifically<br />

named !Burbliness parameter.<br />

<strong>The</strong> important parameter settings in this SpectrumModifier are:<br />

Parameter Setting<br />

Select checked<br />

Probability 1 - !Burbliness<br />

Seed -0.2<br />

HearAll unchecked<br />

Once a track has passed through all the other criteria, it still has one more test to pass be<strong>for</strong>e it is selected,<br />

and, in a case of art-imitating-life, this last test is completely arbitrary, and, in fact, random. As a final<br />

132

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!