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The Kyma Language for Sound Design, Version 4.5

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Background Materials<br />

Reference Books and Textbooks<br />

Auditory Display<br />

Acoustics<br />

Blattner, M. & R. B. Dannenberg, editors. 1992. Multimedia Interface <strong>Design</strong>. New York: ACM Press.<br />

Buxton, W., W. Gaver, and S. Bly. Auditory interfaces: <strong>The</strong> Use of Non-Speech Audio at the Interface. Cambridge:<br />

Press of the University of Cambridge, in final preparation.<br />

Kramer, G., editor. 1994. Auditory Display: <strong>The</strong> Proceedings of the First International Conference on Auditory<br />

Display. Addison Wesley. CD in a sleeve.<br />

Pierce, John. R. 1992. <strong>The</strong> Science of Musical <strong>Sound</strong>, Revised Edition. New York, New York: WH Freeman<br />

and Company.<br />

Rossing, T. D. 1992. <strong>The</strong> Science of <strong>Sound</strong>, Second Edition. Reading, MA: Addison-Wesley Publishing Company.<br />

Sundberg, J. 1992. <strong>The</strong> Science of Musical <strong>Sound</strong>s. Academic Press.<br />

<strong>Sound</strong> Perception and Cognition<br />

Begault, D. 1994. 3-D <strong>Sound</strong> <strong>for</strong> Virtual Reality and Multimedia. Cambridge: Academic Press.<br />

Blauert, J. 1983. Spatial Hearing. Cambridge: MIT Press.<br />

Bregman, A. 1990. Auditory Scene Analysis: <strong>The</strong> Perceptual Organization of <strong>Sound</strong>. Cambridge: MIT Press.<br />

Deutsch, D. 1982. <strong>The</strong> Psychology of Music. Academic Press.<br />

Gelfand, S. A. 1990. Hearing: An Introduction to Psychological and Physiological Acoustics, Second Edition.<br />

New York, NY: Marcel Dekker, Inc.<br />

Roederer, J. G. 1975. Introduction to the Physics and Psychophysics of Music, Second Edition. New York:<br />

Springer-Verlag, New York, Heidleberg, and Berlin.<br />

Zwicker, E. and H. Fastl. 1990. Psychoacoustics: Facts and Models. New York: Springer-Verlag.<br />

Representation of Digital Audio Signals<br />

De Poli, G., A. Piccialli, and C. Roads. 1991. Representations of Musical Signals. Cambridge: MIT Press.<br />

Marsden, A. and A. Pople. 1991. Computer Representations and Models in Music. Academic Press.<br />

Software Technology<br />

Pope, S. T., editor. 1991. <strong>The</strong> Well-Tempered Object: Musical Applications of Object-Oriented Software Technology.<br />

Cambridge, MA: MIT Press.<br />

Tarabella, L. 1992. In<strong>for</strong>matica e Musica. Milan: G. E. Jackson.<br />

<strong>Sound</strong> Synthesis Algorithms<br />

Chamberlin, H. 1987. Musical Applications of Microprocessors, Second Edition. Hayden Books, Indianapolis,<br />

IN.<br />

Dodge, C. and T. A. Jerse. 1985. Computer Music: Synthesis, Composition, and Per<strong>for</strong>mance. Schirmer Books:<br />

New York, NY.<br />

Moore, F. R. 1990. Elements of Computer Music. Prentice Hall, Englewood Cliffs, NJ.<br />

Roads, C. 1993. Computer Music Tutorial. <strong>The</strong> M.I.T. Press, Cambridge, MA.

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