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The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

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Adjust the fader upwards until you remove all of the pitched parts of the resynthesis. You’ll know<br />

when the fader is in the proper position when all you can hear is the “ph” in “morphing” and a little<br />

gasp <strong>for</strong> breath at the end. You do not want to hear any of the “ing” and you do not want to hear the<br />

pitched parts of the sound breaking up.<br />

It may seem a little counterintuitive to remove the pitched parts of the signal when you are trying to<br />

analyze just the pitched parts. <strong>The</strong> trick is that once you have removed everything except the noisy<br />

bits, then, by process of elimination <strong>Kyma</strong> knows which parts of the sound do have a pitch to them.<br />

Once all you hear are clicks, air bursts or gasps, you can click Next to continue.<br />

7. Please wait while <strong>Kyma</strong> prepares the next screen; watch the thermometer, or get yourself a glass of<br />

water, but don’t start hitting keys until <strong>Kyma</strong> has displayed a color graph of the lower end of the<br />

spectrum.<br />

8. <strong>The</strong> goal <strong>for</strong> this section is to look at the spectrum, decide which track is the fundamental frequency,<br />

and to trace the fundamental frequency track using the white line you see (now drawn straight across<br />

the lower part of the spectrum).<br />

First, zoom in on what seems to be the fundamental (the orange colored line at the bottom of the<br />

screen):<br />

♦ Click in the black spectrum display to select it. You can tell when it is selected because you<br />

will see the square endpoints on the white line.<br />

♦ Hold down the Control or Command key until you see the cursor change to a magnifying<br />

glass.<br />

♦ Still holding down the key, draw a box around the lower fourth of the spectrum. (<strong>The</strong> plus<br />

sign inside the magnifying glass is transparent, and the center point of the plus is where the<br />

cursor will draw the box).<br />

Line up the first endpoint of the white line with the beginning of the fundamental track by clicking<br />

on the white box and dragging it upwards. Adjust the last endpoint similarly so that the white line<br />

draws a straight line closest to the orange fundamental.<br />

Now add some additional breakpoints to the white line so that it traces the fundamental more<br />

closely. To add a new point, click the mouse while holding down the Shift key.<br />

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