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The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

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Note that if you decide to switch the GenericSource from reading a sample to reading the live input, remember<br />

that you may have your external synthesizer plugged into the Capybara’s audio inputs. If so,<br />

you will have to unplug at least one of the inputs and replace it with the output of the microphone preamplifier.<br />

You should also edit external MIDI device and set the right or left check boxes so you will hear<br />

only the external synthesizer and not the microphone input.<br />

Tracking Frequency<br />

Find a sustaining, less percussive patch on your synthesizer and try playing pch to MIDI (> 3F). It starts<br />

out by controlling a sine wave oscillator with the fundamental frequency of the input. To listen to the external<br />

MIDI synthesizer, bring the !OscilOrMIDI fader all the way down to zero. This example is<br />

designed <strong>for</strong> tracking inputs whose fundamental pitch is third octave F or higher. Next try Pch to MIDI<br />

(>2F). This is set up to track inputs whose fundamental pitch is 2 F or higher.<br />

In the virtual control surface, you can adjust !High and !Low to the highest and lowest MIDI note numbers<br />

you expect in the input, so you can modify either of these <strong>Sound</strong>s to track the frequency of different<br />

samples or of the live input.<br />

<strong>The</strong> technique behind these two <strong>Sound</strong>s is likely to change by the time of the next release, so it does not<br />

make sense to describe it in too much detail now. In the meantime, though, these may be useful <strong>Sound</strong>s if<br />

you ever have need to track the pitch of live inputs or recorded samples.<br />

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