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The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

The Kyma Language for Sound Design, Version 4.5

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If you hear clipping in the resynthesis, you can use the level field to reduce the amplitude of the analysis.<br />

If the fundamental frequency envelope of the sample being analyzed is difficult to follow, you can choose<br />

to trace different harmonic. Enter the harmonic number into the Traced Harmonic field, and adjust the<br />

white curve to track that harmonic.<br />

When you have finished tracing the fundamental frequency curve, click Next.<br />

At this point, you have provided all of the parameters needed to create a quasi-harmonic file. Click the<br />

Create Quasi-Harmonic Spectrum File button to do this. <strong>Kyma</strong> will prompt you <strong>for</strong> the name of the file,<br />

per<strong>for</strong>m the analysis, and open an untitled <strong>Sound</strong> file window with a SumOfSines <strong>Sound</strong> set up to play<br />

the analysis just created.<br />

<strong>The</strong> other buttons on this page allow you to repeat any of the steps along the way to creating the analysis.<br />

New sample takes you to the first page, where you can specify a new sample to analyze. Adjust range &<br />

response takes you to the second page, where you can adjust the lowest analysis frequency parameter<br />

and the tradeoff between frequency and timing resolution. Adjust pitched/unpitched takes you to the<br />

fourth page, where you made an adjustment to leave only unpitched material audible. Adjust fundamental<br />

takes you to the penultimate page, where you traced the fundamental frequency envelope.<br />

Tools menu: Synchronizing Spectra<br />

It is important to tightly synchronize the spectra used in per<strong>for</strong>ming certain kinds of morphs. For example,<br />

morphing between the voices of two people speaking the same text has the fewest artifacts when the<br />

voices are very well synchronized in time.<br />

<strong>The</strong> Synchronizing Spectra Tool provides a way to specify how two spectra should align in time. In this<br />

tool, you enter color coded markers at corresponding time points in two different spectra. <strong>The</strong> Tool can<br />

then produce an example of either a mix or a morph of the two spectra in which the corresponding points<br />

line up in time.<br />

To open the Synchronizing Spectra Tool, choose Synchronizing Spectra from the Tools menu.<br />

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