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Theft by Finding - David Sedaris

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a graduate student who’s come to observe my teaching style. Then, when they’re finished, maybe near<br />

the end of the session, I’ll reveal your true identity.”<br />

He gave me the address, so this afternoon I showed up and was introduced as James from<br />

Columbia University. Copies of the SantaLand story were distributed to the students. Then Don said,<br />

“Eddie, would you like to start?”<br />

Eddie, a twenty-two-year-old with razor-nicked eyebrows and letters tattooed on his knuckles,<br />

began. “‘I was at a cuff…a cuff…at a…I was at a cuff…’”<br />

“Sound it out,” Don said. “Come on, Eddie, you can do this.”<br />

I had felt uncomfortable around these students. Loud and powerfully built, they had spent their<br />

break threatening one another and yelling out the windows at passing girls. They were all so volatile<br />

and mean-looking, but faced with the page, they were powerless, like children. Once someone had<br />

finished his paragraph, he’d put his head down on the tabletop or walk away to see what was<br />

happening outside. Then someone else would be called on. “‘Snowball just…leads elves on, elves<br />

and Santas.’”<br />

How odd it was to have my experiences recounted in these voices. What were you doing while I<br />

was wandering the maze or having nickels thrown at me? I’d wonder, looking at someone in a<br />

hooded Gang Starr sweatshirt. And what was I doing when you got that teardrop tattooed on your<br />

cheek?<br />

It took well over an hour to complete the reading. Don congratulated the group on a job well done,<br />

then folded his arms and leaned back in his chair. “All right,” he said. “So, if you could meet the<br />

person who wrote this, what would you ask?”<br />

The guy next to Eddie put up his hand. “I’d ax, Yo, is you a faggot or what?”<br />

December 15, 1992<br />

New York<br />

Ira Glass called to say that Morning Edition would like to broadcast my “SantaLand Diary.”<br />

They’ll pay me $500 and give him $200 to produce it. So tomorrow I go to a recording studio.<br />

December 24, 1992<br />

Raleigh<br />

Yesterday morning my story aired on NPR’s Morning Edition. Ira and I had been on the phone the<br />

night before, trying to decide which cuts to make. I have an allergic reaction to my voice, but the<br />

singing was all right. Hugh’s friend Marian phoned after the 7:40 broadcast and said how much she<br />

liked it. A minute later I got a call from a switchboard operator who was late for work on account of<br />

sitting in her parked car and listening to me. She said she’d already phoned NPR to say good things<br />

but thought she’d reach out to me as well. They played the story again at 9:40, and then I was called<br />

<strong>by</strong> William, Allyn, and several strangers. The moment I’d start talking to someone, call-waiting<br />

would act up. At ten I left for the first of today’s four cleaning jobs, and when I returned at six, my<br />

machine was full of messages, most of them from people I don’t know who’d looked me up in the

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