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2003-2005 - Special Collections - University of Baltimore

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PROS 605 Public and Private Languages<br />

(3) An examination <strong>of</strong> me "private" or specialized<br />

languages <strong>of</strong>various pr<strong>of</strong>essions<br />

(e.g., science, medicine, education, government,<br />

and politics) and the means by which<br />

these languages may be translated for the<br />

public. Each student investigates through<br />

intensive reading, study, and imitation <strong>of</strong> at<br />

least one specialized language and attempts<br />

to become expert in adapting and/or<br />

decoding that language for public consumption.<br />

PROS 606 Creating Technical<br />

Documents (3) Writing and design <strong>of</strong><br />

manuscripts directed to pr<strong>of</strong>essional and lay<br />

audiences, including technical proposals,<br />

manuals, and s<strong>of</strong>tware documentation.<br />

Emphasis on integration <strong>of</strong> text with graphics<br />

such as charts, graphs, drawings, and<br />

photographs.<br />

PROS 611 The Craft <strong>of</strong> Popularization<br />

(3) Writing for a lay audience about subjects<br />

that are technically or scientifically<br />

challenging, or normally fall within the<br />

province <strong>of</strong> the scholar and specialist, or<br />

otherwise resist instant understanding.<br />

Emphasis on clarity, precision, and grace<br />

<strong>of</strong> expression.<br />

PROS 620 Creativity: Integration <strong>of</strong><br />

Forms (6) Exploration <strong>of</strong> the creative<br />

process, relationships between written and<br />

visual expression, sources <strong>of</strong> inspiration,<br />

and forms <strong>of</strong> publishing. Through a series<br />

<strong>of</strong> weekly projects, design experiments, and<br />

innovative models, students will develop<br />

new ways <strong>of</strong>seeing and deepen their understanding<br />

<strong>of</strong> creative expression. Team<br />

taught by a creative writer and a book artist<br />

or graphic designer, the course <strong>of</strong>fers a collaborative<br />

setting that acknowledges important<br />

connections between form and<br />

function, materials and subject, tradition<br />

and innovation. Lab fee required.<br />

176<br />

PROS 622 The Art <strong>of</strong> Narrative (3) An<br />

exploration <strong>of</strong> the uses and values <strong>of</strong> narrative.<br />

Combines practice in writing narratives<br />

wim analysis <strong>of</strong> me nature and<br />

methods <strong>of</strong> narrative art.<br />

PROS 623 The Lyric Spirit (3) How<br />

poetic language achieves its powerful<br />

effects. Students read and analyze various<br />

examples <strong>of</strong> me lyric, from the traditional<br />

poetic forms to images in advertising and<br />

media, and experiment with a range <strong>of</strong> lyrical<br />

forms and styles.<br />

PROS 624 Workshop in Novel Writing<br />

(3) The composition <strong>of</strong> the novel. Each<br />

student has an opportunity to make significant<br />

progress on a novel already begun or<br />

on one that originates in class. Emphasis on<br />

the distinctive features <strong>of</strong> me novel as a<br />

prose form and the special aesthetic problems<br />

confronting the novelist.<br />

PBOS 625 Script Writing (3) Extensive<br />

practice in writing media scripts: dramatic,<br />

informational, and persuasive. Emphasizes<br />

differences between writing for print and<br />

writing for aural and visual media.<br />

PBOS 626 Literary Nonfiction (3)<br />

Experimentation in writing various kinds<br />

<strong>of</strong> nonfiction, such as personal essays, travel<br />

essays, pr<strong>of</strong>iles, culrure criticism, memoirs,<br />

and essay reviews. Focus is on me use <strong>of</strong><br />

literary techniques wimin me context <strong>of</strong><br />

me form's traditions and contemporary<br />

innovations.<br />

PBOS 627 The Art <strong>of</strong> Memoir (3) An<br />

opportunity to write memoir. Students read<br />

and study memoirs by contemporary<br />

authors to become more familiar with the<br />

many possibiJities available to writers working<br />

in this form . They focus on issues relevant<br />

to me writing <strong>of</strong> memoir, including<br />

craft and techniques, memory and truth<br />

telling, interior and exterior significance.

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