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Participatory Art and the Politics of Spectatorship - autonomous ...

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artificial hells<br />

celebrating <strong>the</strong> centenary <strong>of</strong> Albert Einstein. Ra<strong>the</strong>r than producing a portable<br />

sculpture, Althamer developed Einstein Class, a six- month project to teach<br />

physics to a group <strong>of</strong> seven juvenile delinquents in Warsaw, most <strong>of</strong> whom had<br />

been expelled from school. The tutor he selected for this task was a maverick<br />

science teacher who had recently lost his job due to his unconventional teaching<br />

style. The male pupils, who all came from <strong>the</strong> run- down Praga district <strong>of</strong><br />

Warsaw, were taught playful science experiments in a number <strong>of</strong> locations: in<br />

<strong>the</strong> teacher’s garden, in a fi eld, on a beach <strong>and</strong> in Althamer’s studio (also in<br />

Praga). The boys <strong>the</strong>n demonstrated <strong>the</strong>se experiments to <strong>the</strong>ir neighbours.<br />

The whole project was documented on video by <strong>the</strong> Polish fi lmmaker Krzyszt<strong>of</strong><br />

Visconti (Einstein Class, 2006), who interspersed it with interviews with<br />

Althamer, <strong>the</strong> children <strong>and</strong> <strong>the</strong>ir parents. As documentation, <strong>the</strong> video is unremarkable,<br />

<strong>and</strong> bears no relation to <strong>the</strong> chaotic intensity <strong>of</strong> <strong>the</strong> project; it seems<br />

at pains to normalise Althamer’s initiative <strong>and</strong> prove its positive effect upon <strong>the</strong><br />

students. The dynamic <strong>of</strong> Einstein Class was, in my experience, far more vivid<br />

<strong>and</strong> dem<strong>and</strong>ing. One evening I accompanied Althamer to <strong>the</strong> science teacher’s<br />

house, where he wanted to show <strong>the</strong> fi rst edit <strong>of</strong> <strong>the</strong> documentary to <strong>the</strong> boys.<br />

When we arrived, full-scale mayhem was underway: <strong>the</strong> boys were playing<br />

gabba music at full blast, surfi ng <strong>the</strong> internet, smoking, throwing fruit around,<br />

fi ghting <strong>and</strong> threatening to push each o<strong>the</strong>r into <strong>the</strong> garden pond. In <strong>the</strong> middle<br />

<strong>of</strong> this frenzy stood an oasis <strong>of</strong> calm: <strong>the</strong> science teacher <strong>and</strong> Althamer, utterly<br />

oblivious to <strong>the</strong> chaos around <strong>the</strong>m. Only a h<strong>and</strong>ful <strong>of</strong> <strong>the</strong> boys watched <strong>the</strong><br />

video (which depicted nothing <strong>of</strong> this bedlam); <strong>the</strong> rest were more interested in<br />

trying to steal my mobile phone or surf <strong>the</strong> net. As <strong>the</strong> evening progressed, it<br />

became clear that Althamer had placed two groups <strong>of</strong> outsiders toge<strong>the</strong>r – <strong>the</strong><br />

Paweł Althamer, Einstein Class, 2005<br />

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