Participatory Art and the Politics of Spectatorship - autonomous ...

Illustration Credits
Cover Tania Bruguera, Tatlin’s Whisper #5, 2008. Medium: Decontextualization
of an action, Behavior Art. Materials: Mounted police,
crowd control techniques, audience. Installation view during
‘Living Currency’, Tate Modern, 2008. Courtesy the artist.
Frontispiece Thomas Hirschhorn, Spectre of Evaluation, 2010, ink on paper.
Courtesy the artist and Gladstone Gallery.
Chapter 1
p. 17 (top) Superfl ex, Tenantspin (2000– ) view of Coronation Court,
Liverpool. Courtesy Superfl ex.
p. 17 (bottom) Superfl ex, Tenantspin (2000– ), Kath operating fi lm equipment.
Courtesy the artists.
p. 20 Oda Projesi, FAIL# BETTER project by Lina Faller, Thomas
Stussi, Marcel Mieth and Marian Burchardt, 2004. Two-week
workshop about building structures in the city, using woodsticks,
in the Oda Projesi courtyard. Courtesy the artists.
p. 22 Thomas Hirschhorn, Bataille Monument, Kassel, 2002. Installation
view showing library. Photo: Werner Maschmann.
Courtesy the artist and Barbara Gladstone Gallery.
p. 24 (top) Rachel Whiteread, House, Bow, London, 1993. Photo: John
Davies. Courtesy the artist and Artangel.
p. 24 (bottom) Loraine Leeson, West Meets East, Tower Hamlets, London,
1992. Courtesy the artist.
p. 31 Jeremy Deller, The Battle of Orgreave, 2001. Photo: Martin
Jenkinson. Courtesy the artist, Artangel and Channel 4.
p. 34 Jeremy Deller, The Battle of Orgreave Archive (An Injury to One is
an Injury to All), 2004. Installation view. Courtesy the artist and
Tate.
Chapter 2
p. 42 Gerardo Dottori, Futurist Serata in Perugia, 1914. Ink on paper.
Courtesy Archivi Dottori, Perugia.
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