Participatory Art and the Politics of Spectatorship - autonomous ...

illustration credits
1993. Courtesy the artist, Gavin Brown’s Enterprise and
Kunstverein in Hamburg.
p. 212 Dmitri Gutov, The Last Supper, project for ‘Interpol’, Färgfabriken,
Stockholm, 1996. Courtesy the artist.
p. 213 (top) Carl Michael von Hausswolff, Andrew M. McKenzie and Ulf
Bilting, Exchange of Mental, Physical and Un- detected
Substances of Known and Un- known Matter During a Period of
Four Nights, installation view at ‘Interpol’, Färgfabriken,
Stockholm, 1996. Courtesy the artists.
p. 213 (bottom) Installation view of Wenda Gu’s United Nations – Sweden and
Russia Monument, 1996, in ‘Interpol’, after being destroyed by
Alexander Brener, Färgfabriken, Stockholm. Courtesy Viktor
Misiano/ IRWIN.
Chapter 8
p. 220 Maurizio Cattelan, Southern Suppliers FC, 1991. Courtesy the
artist and Marian Goodman Gallery.
p. 222 Santiago Sierra, 250cm Line Tattooed on 6 Paid People, Havana,
1999. Courtesy the artist, Team Gallery and Galeria Helga de
Alvear.
p. 225 Dora García, The Romeos, Frieze Art Fair, 2008. Courtesy the
artist.
p. 227 Phil Collins, video stills of They Shoot Horses, 2004. Synchronised
two channel colour video projection with sound, 420
min. Courtesy the artist.
p. 228 (top) Artur Żmijewski, video still of Them, 2007. Courtesy the artist
and Foksal Gallery Foundation.
p. 228 (bottom) Artur Żmijewski, video still of Them, 2007. Courtesy the artist
and Foksal Gallery Foundation
p. 230 Marina Abramovic, untitled performance for the Los Angeles
Museum of Contemporary Arts Gala, November 2011. Photo
by Frazer Harrison/Getty Images for MOCA.
p. 233 Installation view of ‘La Monnaie Vivante’, Tate Modern,
London. Tania Bruguera, Tatlin’s Whisper #5, 2008 (foreground);
Annie Vigier and Franck Apertet, Compagnie les
Gens d’Uterpan, X- Event 2, 2007 (background). Photo: Sheila
Burnett. Courtesy the artists.
p. 234 Installation view of ‘La Monnaie Vivante’, 6th Berlin Biennale
for Contemporary Art. Franz Erhard Walther, Standing Piece
in Three Sections, 1975 (foreground); Santiago Sierra, 111
Constructions Made with 10 Modules and 10 Workers, 2004 (background).
Photo: Uwe Walter and Christian Sievers. Courtesy
the artists, Berlin Biennale for Contemporary Art 2010, and
Galerie Jocelyn Wolff.
369