Participatory Art and the Politics of Spectatorship - autonomous ...

illustration credits
p. 235 Pierre Bal- Blanc, video still of Contrat de travail (Working
Contract), 1992. Bal- Blanc is performing Felix Gonzalez-
Torres, Untitled (Go- Go Dancing Platform), 1991, in an
exhibition at Hamburg Kunstverein. Courtesy the artist.
Chapter 9
p. 244 Joseph Beuys, Free International University seminar at Documenta
6, Kassel, 1977. Courtesy ARS.
p. 248 Tania Bruguera, Cátedra Arte de Conducta, Havana, 2002- 9.
Workshop with Elvia Rosa Castro. Courtesy Studio
Bruguera.
p. 253 (top) Paul Chan, Waiting for Godot in New Orleans, 2007. The artist
teaching at Lusher High School. Courtesy the artist.
p. 253 (bottom) Paul Chan, Waiting for Godot in New Orleans, 2007. Robert
Green and production signage. Courtesy the artist.
p. 254 Paul Chan, Waiting for Godot in New Orleans Archive, installation
view during the exhibition ‘Contemporary Art from the
Collection’, MoMA, 30 June 2010- 19 September 2011. Photo:
Digital image @ the Museum of Contemporary Art/ licensed
by SCALA/ Art Resource, NY. Courtesy the artist.
p. 256 Paweł Althamer, Einstein Class, 2005. Courtesy the artist and
Foksal Gallery Foundation.
p. 258 (top) Paweł Althamer and Artur Żmijewski, installation view of [S]
election.pl, 2005, CCA Uzajdowski Castle, Warsaw. View of
the galleries with Nowolipie Group. Courtesy the artists and
Foksal Gallery Foundation.
p. 258 (bottom) Paweł Althamer and Artur Żmijewski, installation view of [S]election.pl,
2005, CCA Uzajdowski Castle, Warsaw. View of the
galleries. Courtesy the artists and Foksal Gallery Foundation.
p. 262 (top) Thomas Hirschhorn, The Bijlmer- Spinoza Festival, Bijlmer,
Amsterdam, 2009. Daily Lecture by Marcus Steinweg. Photo:
Jan- Reinier van der Vliet/ Straat van Sculpturen. Courtesy the
artist and Barbara Gladstone Gallery.
p. 262 (bottom) Thomas Hirschhorn, The Bijlmer- Spinoza Festival, 2009. View
of the ‘Child’s Play’ workshops. Courtesy the artist and
Barbara Gladstone.
p. 264 Thomas Hirschhorn, The Bijlmer- Spinoza Festival, 2009. View
of the ‘Spinoza Play’. Courtesy the artist and Barbara Gladstone.
p. 270 (top) Martha Rosler Library, New York, 2006. Courtesy Martha
Rosler and e- fl ux.
p. 270 (bottom) Lia Perjovschi, Centre for Art Analysis, Bucharest, 1990– . View
with curators from Austria, Germany and Romania, 2005.
Courtesy the artist.
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