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Participatory Art and the Politics of Spectatorship - autonomous ...

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Moreau, Gustave, 95<br />

Müller, Christian Philipp, 195, 205<br />

Musée d’art Moderne (play), 147<br />

Musée Précaire Albinet (play), 260<br />

Museo de <strong>Art</strong>e Latinoamericano de<br />

Buenos Aries (MALBA), 116<br />

Museo Rufi no Tamayo, Mexico City,<br />

222<br />

Mutoid Waste Company, 189<br />

The Mystery-Bouffe (artwork), 53<br />

The Mystery <strong>of</strong> Freed Labour<br />

(artwork), 58, 62<br />

Mythologies (book), 108, 127<br />

Nash, Jørgen, 82<br />

National Encounter <strong>of</strong> Avant-Garde<br />

<strong>Art</strong>, 118, 127<br />

National Union <strong>of</strong> Mineworkers, 35<br />

Neill, A. S., 266–7<br />

New Labour, 5<br />

The New Spirit <strong>of</strong> Capitalism (book), 215<br />

The New Theatre <strong>and</strong> Cinema <strong>of</strong> Soviet<br />

Russia (artwork), 54<br />

N55 (collective), 195<br />

Nicholson-Smith, Donald, 82<br />

Night (artwork), 149<br />

Night School (artwork), 265<br />

‘No Man’s Time’ (exhibition), 208–9,<br />

215<br />

No More Reality (artwork), 208<br />

Nor<strong>the</strong>rn <strong>Art</strong>s Gallery, 173<br />

Nowolipie Group, 255<br />

The Nudist Campers Grow <strong>and</strong> Grow<br />

(play), 183<br />

La Nuit (artwork), 99<br />

Obrist, Hans-Ulrich, 207<br />

Observator (artwork), 220<br />

Oda Projesi (artwork), 20–2<br />

Oeuvres Complètes (book), 99<br />

Offi ce for St<strong>and</strong>ards in Education<br />

(OFSTED), 267<br />

Oldenburg, Claes, 94, 108, 143<br />

100 Chinese (artwork), 229–30<br />

index<br />

379<br />

100 Days <strong>of</strong> <strong>the</strong> Free International<br />

University, 244<br />

120 Days <strong>of</strong> Sodom (fi lm), 99<br />

120 Minutes Dedicated to <strong>the</strong> Divine<br />

Marquis (artwork), 98–9<br />

ÖÖ-Programm (artwork), 245<br />

The Open Work (book), 118<br />

The O<strong>the</strong>r Vietnam Memorial<br />

(artwork), 29<br />

Our Creative Capacity (policy<br />

document), 14–5<br />

Para inducir al espíritu de la imagen<br />

(artwork), 108<br />

Parc, Julio Le, 87, 90–1, 93<br />

Par excellence (artwork), 183<br />

Parreno, Philippe, 199, 207–8<br />

Participación Total (book), 107<br />

Pedagogy <strong>of</strong> <strong>the</strong> Oppressed (book),<br />

122, 243, 266<br />

Los Penetrados (artwork), 237<br />

The People’s Theatre (book), 58<br />

Perjovschi, Dan, 247<br />

Perjovschi, Lia, 269, 270<br />

Perry, John, 181<br />

Picabia, Francis, 67<br />

Pictures (artwork), 156, 157<br />

Pinot-Gallizio, Giuseppe, 82, 87<br />

Piotrowski, Piotr, 146<br />

Pišta, Tichomir, 144<br />

Pivi, Paola, 229–30<br />

‘Places with a Past: New Site-<br />

Specifi c <strong>Art</strong> at Charleston’s<br />

Spoleto Festival’ (exhibition),<br />

195<br />

Platonov, Andréy, 55<br />

Poggi, Christine, 44<br />

The <strong>Politics</strong> <strong>of</strong> Aes<strong>the</strong>tics (book),<br />

290<br />

Pollock, Jackson, 94<br />

Pompidou Centre collection, 260<br />

Popper, Frank, 79<br />

Prampolini, Enrico, 48<br />

Pre-emptive Act (artwork), 229

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