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Participatory Art and the Politics of Spectatorship - autonomous ...

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Acknowledgements<br />

This book took a long time to write. My chosen subject matter seemed to<br />

dem<strong>and</strong> a completely different methodology to ones I had previously used,<br />

<strong>and</strong> I too frequently relied on friends <strong>and</strong> colleagues for feedback. All my<br />

thinking experiments were undertaken in public, infl icted on dozens <strong>of</strong> audiences<br />

who patiently listened to my rambling before <strong>of</strong>fering advice or, more<br />

frequently, attacking me for daring to criticise or defend <strong>the</strong> art under discussion.<br />

I am indebted to all those audiences who gave me constructive feedback,<br />

but even more to my long- suffering students at <strong>the</strong> Royal College <strong>of</strong> <strong>Art</strong>,<br />

CUNY Graduate Center, Hunter College <strong>and</strong> Cátedra <strong>Art</strong>e de Conducta,<br />

who were <strong>the</strong> most stimulating interlocutors I could hope for. You are too<br />

many to name individually, but I’m so grateful to you all for your incisive<br />

questions, comments, ideas, references <strong>and</strong> help with translations.<br />

I owe abundant thanks to all <strong>the</strong> artists, curators <strong>and</strong> art historians I’ve<br />

talked to in <strong>the</strong> last six years, raiding <strong>the</strong>ir brains <strong>and</strong> archives: Allora <strong>and</strong><br />

Calzadilla, Paweł Althamer, Doug Ashford, Uthit Atamana, Carlos Basualdo,<br />

Jérôme Bel, Ed Berman, <strong>the</strong> team at The Blackie (Bill Harpe, Neil<br />

Johnson, Sally Morris), Stuart Brisley, Tania Bruguera, Luis Camnitzer,<br />

Graciela Carnevale, Paul Chan, Phil Collins, Mark Cousins, Teddy Cruz,<br />

Ekaterina Degot, Jeremy Deller, Stephan Dillemuth, Mark Dion, Elmgreen<br />

<strong>and</strong> Dragset, Charles Esche, Alex Farquharson, Briony Fer, Tom<br />

Finkelpearl, Milija Gluhovic, Romy Golan, Dominique Gonzalez- Foerster,<br />

Simon Grennan, Boris Groys, Daniel Grún, Nicolás Guagnini, Vit<br />

Havránek, Jens Haaning, Jeanne van Heeswijk, Thomas Hirschhorn,<br />

Christine <strong>and</strong> Irene Hohenbüchler, Pierre Huyghe, IRWIN (especially<br />

Miran Mohar <strong>and</strong> Borut Vogelnik), Margaret Iversen, Alfredo Jaar,<br />

Roberto Jacoby, Lu Jie, Yelena Kalinsky, Mira Keratova, Barbora Klimová,<br />

Alison Knowles, Surasi Kusolwong, Pablo Lafuente, Lars Bang Larsen,<br />

Pablo León de la Barra, Kamin Lerdchaiprasert, David Levine, Ana<br />

Longoni, Sven Lütticken, Francesco Manacorda, Aleks<strong>and</strong>ra Mir, Viktor<br />

Misiano, Christian Philipp Müller, Joanna Mytkowska, Victoria Noorthoon,<br />

Linda Norden, Oda Projesi, Roman Ondák, Boris Ondreicka,<br />

Tomas Pospiszyl, Andrzej Przywara, Maria Pask, Dan <strong>and</strong> Lia Perjovschi,<br />

285

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