Participatory Art and the Politics of Spectatorship - autonomous ...
Participatory Art and the Politics of Spectatorship - autonomous ...
Participatory Art and the Politics of Spectatorship - autonomous ...
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‘Sonsbeek 93,’ (exhibition) 198,<br />
200–1, 205–6, 217<br />
Sontag, Susan, 99, 107, 111<br />
Sou<strong>the</strong>rn Skirmish Association, 33<br />
Sou<strong>the</strong>rn Suppliers FC (artwork), 220<br />
Spinoza, Benedict de, 260, 266<br />
St<strong>and</strong>ing Pieces (artwork), 235<br />
State Committee for Security (KGB),<br />
153<br />
Stein, Joël, 93<br />
Steiner, Barbara, 209<br />
Steinweg, Marcus, 260–1<br />
Steveni, Barbara, 163–4, 166, 169<br />
Stevens, Graham, 175<br />
Still <strong>and</strong> Chew (artwork), 164<br />
Stimpson, Blake, 11<br />
Stitch in Time (artwork), 185–6<br />
Stone Ceremony (artwork), 139<br />
Stop, Repair, Prepare (artwork), 223<br />
The Storming <strong>of</strong> <strong>the</strong> Winter Palace<br />
(artwork), 59, 66<br />
Studio International, 169<br />
Suceso Plástico (artwork), 111–2<br />
Summerhill, 267, 273<br />
Survival Research Lab, 189<br />
Tate Britain, 226<br />
Tate Modern, 232–3<br />
Tatlin’s Whisper #5 (artwork), 233<br />
Tatlin’s Whisper #6 (artwork), 249<br />
Il Teatro Sperimentale degli<br />
indipendenti (artwork), 48<br />
Les Temps modernes (journal), 106<br />
Tenantspin (TV station), 1, 16, 17<br />
Ten Appearances (book), 159, 160<br />
Ten <strong>of</strong> <strong>the</strong> Best (artwork), 183<br />
Thatcher, Margaret, 30, 187<br />
The Theatre <strong>and</strong> Its Double (artwork),<br />
78<br />
Théâtre de l’Oeuvre, 70<br />
Théâtre du Soleil, 30<br />
Theatre for Oneself (book), 60<br />
Theatre <strong>of</strong> <strong>the</strong> Oppressed (book), 122<br />
Them (book), 227<br />
index<br />
381<br />
There’s Nothing There (artwork), 12<br />
They Shoot Horses (artwork), 226–7<br />
The Third International (artwork), 58<br />
This Objective <strong>of</strong> That Object<br />
(artwork), 223–4<br />
This Progress (artwork), 223<br />
Timecode (fi lm), 291n60<br />
Tiravanija, Rirkrit, 207, 209–10<br />
Tisdall, Caroline, 170<br />
To Exorcise <strong>the</strong> Spirit <strong>of</strong> Catastrophe<br />
(artwork), 111<br />
The To-Hell-With-Human-Rights<br />
Show (artwork), 183<br />
To Induce <strong>the</strong> Spirit <strong>of</strong> <strong>the</strong> Image<br />
(artwork), 110–2, 121<br />
Total Participation (artwork), 108<br />
Touraine, Alain, 79<br />
Tous les chevaux du roi (artwork), 84<br />
Toward a World Commune (artwork),<br />
58, 62<br />
Trips to <strong>the</strong> Countryside (artwork),<br />
160<br />
Trocchi, Alex<strong>and</strong>er, 100–1<br />
Troncy, Eric, 208–10<br />
Trotsky, Leon, 49, 52, 170<br />
Try (artwork), 220<br />
Tucumán Arde (artwork), 105, 118,<br />
121–2<br />
250cm Line Tattooed on 6 Paid People,<br />
222<br />
Tzara, Tristan, 66<br />
U-Lounge (artwork), 263<br />
‘The Uncanny’ (exhibition), 217<br />
‘Unconvention’ (exhibition), 30<br />
Unitednationsplaza (artwork), 265<br />
The University in Ruins (book), 268<br />
Unmarked: The <strong>Politics</strong> <strong>of</strong> Performance<br />
(artwork), 37<br />
Vaneigem, Raoul, 101<br />
Van Gogh, Vincent, 83<br />
Verwoert, Jan, 244–5<br />
Vidokle, Anton, 265, 267<br />
Village Wedding (painting), 144