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Participatory Art and the Politics of Spectatorship - autonomous ...

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‘Sonsbeek 93,’ (exhibition) 198,<br />

200–1, 205–6, 217<br />

Sontag, Susan, 99, 107, 111<br />

Sou<strong>the</strong>rn Skirmish Association, 33<br />

Sou<strong>the</strong>rn Suppliers FC (artwork), 220<br />

Spinoza, Benedict de, 260, 266<br />

St<strong>and</strong>ing Pieces (artwork), 235<br />

State Committee for Security (KGB),<br />

153<br />

Stein, Joël, 93<br />

Steiner, Barbara, 209<br />

Steinweg, Marcus, 260–1<br />

Steveni, Barbara, 163–4, 166, 169<br />

Stevens, Graham, 175<br />

Still <strong>and</strong> Chew (artwork), 164<br />

Stimpson, Blake, 11<br />

Stitch in Time (artwork), 185–6<br />

Stone Ceremony (artwork), 139<br />

Stop, Repair, Prepare (artwork), 223<br />

The Storming <strong>of</strong> <strong>the</strong> Winter Palace<br />

(artwork), 59, 66<br />

Studio International, 169<br />

Suceso Plástico (artwork), 111–2<br />

Summerhill, 267, 273<br />

Survival Research Lab, 189<br />

Tate Britain, 226<br />

Tate Modern, 232–3<br />

Tatlin’s Whisper #5 (artwork), 233<br />

Tatlin’s Whisper #6 (artwork), 249<br />

Il Teatro Sperimentale degli<br />

indipendenti (artwork), 48<br />

Les Temps modernes (journal), 106<br />

Tenantspin (TV station), 1, 16, 17<br />

Ten Appearances (book), 159, 160<br />

Ten <strong>of</strong> <strong>the</strong> Best (artwork), 183<br />

Thatcher, Margaret, 30, 187<br />

The Theatre <strong>and</strong> Its Double (artwork),<br />

78<br />

Théâtre de l’Oeuvre, 70<br />

Théâtre du Soleil, 30<br />

Theatre for Oneself (book), 60<br />

Theatre <strong>of</strong> <strong>the</strong> Oppressed (book), 122<br />

Them (book), 227<br />

index<br />

381<br />

There’s Nothing There (artwork), 12<br />

They Shoot Horses (artwork), 226–7<br />

The Third International (artwork), 58<br />

This Objective <strong>of</strong> That Object<br />

(artwork), 223–4<br />

This Progress (artwork), 223<br />

Timecode (fi lm), 291n60<br />

Tiravanija, Rirkrit, 207, 209–10<br />

Tisdall, Caroline, 170<br />

To Exorcise <strong>the</strong> Spirit <strong>of</strong> Catastrophe<br />

(artwork), 111<br />

The To-Hell-With-Human-Rights<br />

Show (artwork), 183<br />

To Induce <strong>the</strong> Spirit <strong>of</strong> <strong>the</strong> Image<br />

(artwork), 110–2, 121<br />

Total Participation (artwork), 108<br />

Touraine, Alain, 79<br />

Tous les chevaux du roi (artwork), 84<br />

Toward a World Commune (artwork),<br />

58, 62<br />

Trips to <strong>the</strong> Countryside (artwork),<br />

160<br />

Trocchi, Alex<strong>and</strong>er, 100–1<br />

Troncy, Eric, 208–10<br />

Trotsky, Leon, 49, 52, 170<br />

Try (artwork), 220<br />

Tucumán Arde (artwork), 105, 118,<br />

121–2<br />

250cm Line Tattooed on 6 Paid People,<br />

222<br />

Tzara, Tristan, 66<br />

U-Lounge (artwork), 263<br />

‘The Uncanny’ (exhibition), 217<br />

‘Unconvention’ (exhibition), 30<br />

Unitednationsplaza (artwork), 265<br />

The University in Ruins (book), 268<br />

Unmarked: The <strong>Politics</strong> <strong>of</strong> Performance<br />

(artwork), 37<br />

Vaneigem, Raoul, 101<br />

Van Gogh, Vincent, 83<br />

Verwoert, Jan, 244–5<br />

Vidokle, Anton, 265, 267<br />

Village Wedding (painting), 144

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