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Culture and Privilege in Capitalist Asia - Jurusan Antropologi ...

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CULTURAL RELATIONS AND THE NEW RICH 29<br />

West. Secondly, I exam<strong>in</strong>e the mean<strong>in</strong>gs of new-rich consumption <strong>in</strong> reference to<br />

domestic class relations, <strong>in</strong> the light of the arguments of Veblen <strong>and</strong> Bourdieu.<br />

Despite the complexity <strong>and</strong> fluidity of the global commodity market, prestigious<br />

consumer goods <strong>and</strong> images identified with the West generally rema<strong>in</strong> the<br />

yardstick of luxury. Indeed, participat<strong>in</strong>g <strong>in</strong> <strong>and</strong> appropriat<strong>in</strong>g Western affluence<br />

are often quite explicit goals among the new rich <strong>in</strong> <strong>Asia</strong>. This is perhaps most<br />

obvious <strong>in</strong> consumer labell<strong>in</strong>g practices, <strong>in</strong> Bangkok for <strong>in</strong>stance, where middleclass<br />

hous<strong>in</strong>g estates are given names like California Ville <strong>and</strong> Le Château (Pasuk<br />

<strong>and</strong> Baker 1996:121), or <strong>in</strong> Manila where fashionable boutiques owned <strong>and</strong>/<br />

or frequented by the new rich often go under names like The Best of New York<br />

<strong>and</strong> Ital<strong>in</strong>a (on similar practices <strong>in</strong> Indonesia <strong>and</strong> India, see Young <strong>and</strong> Lakha).<br />

To some degree, the images of Japanese affluence rival those of the West, <strong>and</strong><br />

their <strong>in</strong>fluence can be seen, for example, <strong>in</strong> the expansion of karaoke <strong>and</strong> the<br />

Japanese car market <strong>in</strong>to other parts of <strong>Asia</strong>, as well as <strong>in</strong> the Look East policies<br />

of the Malaysian government (Shiro 1994; Smith 1994). It can also be seen <strong>in</strong> the<br />

<strong>in</strong>creas<strong>in</strong>g recreational travel <strong>in</strong>to Japan by newly wealthy people from elsewhere<br />

<strong>in</strong> the region. Yet, the pursuit of high liv<strong>in</strong>g <strong>in</strong> Japan itself cont<strong>in</strong>ues to be framed<br />

largely <strong>in</strong> reference to images of European luxury (Wakao 1989). 34 Thus, while<br />

new rich <strong>Asia</strong>ns may travel <strong>in</strong>creas<strong>in</strong>gly to Japan for holidays, some of their most<br />

popular dest<strong>in</strong>ations are Tokyo Disneyl<strong>and</strong> <strong>and</strong> theme parks like Purol<strong>and</strong>, <strong>in</strong><br />

which they will be treated to a pastiche of medieval Europe (Tanikawa 1997).<br />

Notwithst<strong>and</strong><strong>in</strong>g this widen<strong>in</strong>g global fasc<strong>in</strong>ation with Western luxury, the<br />

mean<strong>in</strong>gs of particular consumer items <strong>and</strong> repertoires, <strong>and</strong> the manner <strong>in</strong> which<br />

they are used, are not as self-evident as one might suppose from popular<br />

representations of consumer culture <strong>and</strong> new wealth <strong>in</strong> <strong>Asia</strong>. The mistake lies <strong>in</strong><br />

assum<strong>in</strong>g that the mean<strong>in</strong>gs of consumer goods <strong>and</strong> consumption patterns are<br />

transparent <strong>and</strong> universal (Appadurai 1988; Friedman 1994; Miller 1995). At a<br />

narrow economic level, it is undeniable that the consumption of particular cars,<br />

television programmes or fashion accessories <strong>in</strong>dicates someth<strong>in</strong>g of a<br />

development of Westernisation <strong>and</strong> global commonality. And there is no doubt<br />

that luxury cont<strong>in</strong>ues to be associated, <strong>in</strong> large part, with images of the West. But<br />

<strong>in</strong>creas<strong>in</strong>gly, as the case of Japan’s Purol<strong>and</strong> <strong>in</strong>dicates, these images have been<br />

dislodged, <strong>in</strong> both space <strong>and</strong> time, from their orig<strong>in</strong>al source, <strong>and</strong> shaped accord<strong>in</strong>g<br />

to pr<strong>in</strong>ciples that are new <strong>and</strong> local. Even where the commodities consumed are<br />

materially identical, the particular mean<strong>in</strong>g they have for consumers, <strong>and</strong><br />

audiences, may vary immensely.<br />

What most <strong>in</strong>terests us here is the way <strong>in</strong> which the mean<strong>in</strong>gs of consumption<br />

<strong>and</strong> consumer items gravitate towards, or are mobilised around, particular social<br />

<strong>and</strong> political relations to become a basis of dist<strong>in</strong>ction <strong>and</strong> collective identity<br />

construction. 35 The first <strong>and</strong> broadest of these relations has come to be expressed<br />

as that between <strong>Asia</strong> <strong>and</strong> the West. <strong>Asia</strong>’s identity as a major part of the ‘Third<br />

World’ has long been expressed <strong>in</strong> terms of consumption, evidenced <strong>in</strong> numerous<br />

statistical reports <strong>and</strong> dossiers compar<strong>in</strong>g frequencies of ‘modern’ dwell<strong>in</strong>gs,<br />

‘modern’ amenities, automobile ownership, hospital beds, schools, radios <strong>and</strong>

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