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Culture and Privilege in Capitalist Asia - Jurusan Antropologi ...

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36 MICHAEL PINCHES<br />

bourgeoisie, Veblen’s account of America’s leisure class <strong>in</strong> the 1890s, <strong>and</strong><br />

Lamont’s (1992) of the American upper middle class a century later, suggest the<br />

cont<strong>in</strong>ued predom<strong>in</strong>ance <strong>in</strong> the United States of an ethos concerned less with the<br />

cultivated manner of consumption than with the volume of wealth <strong>and</strong> the capacity<br />

to accumulate it. While the French case suggests someth<strong>in</strong>g of a capitalist society<br />

founded slowly, <strong>and</strong> with<strong>in</strong> a formerly aristocratic cultural milieu, the case of the<br />

United States starts with economic capital <strong>and</strong> seems to celebrate, more than<br />

anyth<strong>in</strong>g else, the speed with which <strong>in</strong>dividuals accumulate it. Yet Bourdieu’s<br />

reference to a new era of ‘hedonistic consumption’ <strong>in</strong> France concurs with a picture<br />

of contemporary consumerism that may have had its orig<strong>in</strong>s <strong>in</strong> the United States,<br />

but which has become <strong>in</strong>creas<strong>in</strong>gly global.<br />

In <strong>in</strong>dustrialis<strong>in</strong>g <strong>Asia</strong> today we see a number of the above elements. As noted<br />

already, the social st<strong>and</strong><strong>in</strong>g of the new rich, <strong>and</strong> of those they have left beh<strong>in</strong>d, is<br />

measured largely by their different levels of material wealth. In addition, there is a<br />

strong impetus to reward the new rich with high st<strong>and</strong><strong>in</strong>g as the leaders <strong>and</strong><br />

heroes of national development, <strong>in</strong> part because of their divergence from the old<br />

rich, who are often associated with national poverty <strong>and</strong> backwardness (Lakha,<br />

P<strong>in</strong>ches). Thus the old rich <strong>in</strong> <strong>Asia</strong> do not st<strong>and</strong> as the unambiguous guardians of<br />

high honour <strong>in</strong> the way they appear to <strong>in</strong> Bourdieu’s France.<br />

However, taste <strong>and</strong> style clearly matter to the new rich. Not only are the new<br />

rich commonly demeaned for their alleged vulgarity <strong>and</strong> ostentation, but many also<br />

go to great pa<strong>in</strong>s to acquire sophistication <strong>and</strong> ref<strong>in</strong>ement, if not for themselves,<br />

then at least for their children. They work at this <strong>in</strong> a number of ways, one of which<br />

is through formal education. Not only have the majority of new rich acquired<br />

higher levels of formal education than their parents’ generation, but many are also<br />

more <strong>in</strong>cl<strong>in</strong>ed than their parents to provide their children with someth<strong>in</strong>g beyond<br />

technical or vocational tra<strong>in</strong><strong>in</strong>g. In the Philipp<strong>in</strong>es, for example, many new-rich<br />

Filip<strong>in</strong>o-Ch<strong>in</strong>ese families are now send<strong>in</strong>g their children to prestigious universities<br />

to study arts <strong>and</strong> humanities (P<strong>in</strong>ches). Many new rich also work on their taste <strong>and</strong><br />

presentation of self by us<strong>in</strong>g the services of cultural specialists, like <strong>in</strong>terior<br />

decorators, architects, beauticians, groom<strong>in</strong>g consultants <strong>and</strong> gallery operators.<br />

Many more, notably those of lesser means, attempt to cultivate themselves more<br />

<strong>in</strong>formally, through selective read<strong>in</strong>g, television view<strong>in</strong>g <strong>and</strong> w<strong>in</strong>dow shopp<strong>in</strong>g. As<br />

Young argues <strong>in</strong> Chapter 2, the cultivation of a new aesthetic language commonly<br />

takes place <strong>in</strong> the <strong>in</strong>formal contexts of everyday life, perhaps most notably <strong>in</strong><br />

shopp<strong>in</strong>g malls, where it is not only possible to study the taste codes embedded <strong>in</strong><br />

the goods on display, <strong>and</strong> to consult the salespeople who are knowledgeable <strong>in</strong><br />

these codes, but also to use the mall as a venue <strong>in</strong> which to practise one’s newly<br />

cultured identity. The cultivation of a fashionable or sophisticated self may even be<br />

an explicit requirement of employment. Companies <strong>in</strong> S<strong>in</strong>gapore, for example,<br />

spend millions of dollars annually on tra<strong>in</strong><strong>in</strong>g courses <strong>in</strong> groom<strong>in</strong>g <strong>and</strong> etiquette for<br />

their young professional employees. 44<br />

What are the aesthetic codes by which the new rich are evaluated <strong>and</strong> to which<br />

many of them aspire, <strong>and</strong> where do they come from? The answers to these

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