Culture and Privilege in Capitalist Asia - Jurusan Antropologi ...
Culture and Privilege in Capitalist Asia - Jurusan Antropologi ...
Culture and Privilege in Capitalist Asia - Jurusan Antropologi ...
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36 MICHAEL PINCHES<br />
bourgeoisie, Veblen’s account of America’s leisure class <strong>in</strong> the 1890s, <strong>and</strong><br />
Lamont’s (1992) of the American upper middle class a century later, suggest the<br />
cont<strong>in</strong>ued predom<strong>in</strong>ance <strong>in</strong> the United States of an ethos concerned less with the<br />
cultivated manner of consumption than with the volume of wealth <strong>and</strong> the capacity<br />
to accumulate it. While the French case suggests someth<strong>in</strong>g of a capitalist society<br />
founded slowly, <strong>and</strong> with<strong>in</strong> a formerly aristocratic cultural milieu, the case of the<br />
United States starts with economic capital <strong>and</strong> seems to celebrate, more than<br />
anyth<strong>in</strong>g else, the speed with which <strong>in</strong>dividuals accumulate it. Yet Bourdieu’s<br />
reference to a new era of ‘hedonistic consumption’ <strong>in</strong> France concurs with a picture<br />
of contemporary consumerism that may have had its orig<strong>in</strong>s <strong>in</strong> the United States,<br />
but which has become <strong>in</strong>creas<strong>in</strong>gly global.<br />
In <strong>in</strong>dustrialis<strong>in</strong>g <strong>Asia</strong> today we see a number of the above elements. As noted<br />
already, the social st<strong>and</strong><strong>in</strong>g of the new rich, <strong>and</strong> of those they have left beh<strong>in</strong>d, is<br />
measured largely by their different levels of material wealth. In addition, there is a<br />
strong impetus to reward the new rich with high st<strong>and</strong><strong>in</strong>g as the leaders <strong>and</strong><br />
heroes of national development, <strong>in</strong> part because of their divergence from the old<br />
rich, who are often associated with national poverty <strong>and</strong> backwardness (Lakha,<br />
P<strong>in</strong>ches). Thus the old rich <strong>in</strong> <strong>Asia</strong> do not st<strong>and</strong> as the unambiguous guardians of<br />
high honour <strong>in</strong> the way they appear to <strong>in</strong> Bourdieu’s France.<br />
However, taste <strong>and</strong> style clearly matter to the new rich. Not only are the new<br />
rich commonly demeaned for their alleged vulgarity <strong>and</strong> ostentation, but many also<br />
go to great pa<strong>in</strong>s to acquire sophistication <strong>and</strong> ref<strong>in</strong>ement, if not for themselves,<br />
then at least for their children. They work at this <strong>in</strong> a number of ways, one of which<br />
is through formal education. Not only have the majority of new rich acquired<br />
higher levels of formal education than their parents’ generation, but many are also<br />
more <strong>in</strong>cl<strong>in</strong>ed than their parents to provide their children with someth<strong>in</strong>g beyond<br />
technical or vocational tra<strong>in</strong><strong>in</strong>g. In the Philipp<strong>in</strong>es, for example, many new-rich<br />
Filip<strong>in</strong>o-Ch<strong>in</strong>ese families are now send<strong>in</strong>g their children to prestigious universities<br />
to study arts <strong>and</strong> humanities (P<strong>in</strong>ches). Many new rich also work on their taste <strong>and</strong><br />
presentation of self by us<strong>in</strong>g the services of cultural specialists, like <strong>in</strong>terior<br />
decorators, architects, beauticians, groom<strong>in</strong>g consultants <strong>and</strong> gallery operators.<br />
Many more, notably those of lesser means, attempt to cultivate themselves more<br />
<strong>in</strong>formally, through selective read<strong>in</strong>g, television view<strong>in</strong>g <strong>and</strong> w<strong>in</strong>dow shopp<strong>in</strong>g. As<br />
Young argues <strong>in</strong> Chapter 2, the cultivation of a new aesthetic language commonly<br />
takes place <strong>in</strong> the <strong>in</strong>formal contexts of everyday life, perhaps most notably <strong>in</strong><br />
shopp<strong>in</strong>g malls, where it is not only possible to study the taste codes embedded <strong>in</strong><br />
the goods on display, <strong>and</strong> to consult the salespeople who are knowledgeable <strong>in</strong><br />
these codes, but also to use the mall as a venue <strong>in</strong> which to practise one’s newly<br />
cultured identity. The cultivation of a fashionable or sophisticated self may even be<br />
an explicit requirement of employment. Companies <strong>in</strong> S<strong>in</strong>gapore, for example,<br />
spend millions of dollars annually on tra<strong>in</strong><strong>in</strong>g courses <strong>in</strong> groom<strong>in</strong>g <strong>and</strong> etiquette for<br />
their young professional employees. 44<br />
What are the aesthetic codes by which the new rich are evaluated <strong>and</strong> to which<br />
many of them aspire, <strong>and</strong> where do they come from? The answers to these