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diligent — and, therefore, better — than that of their "nonhipster"<br />

counterparts.<br />

The three most widely cited hipster flaws are, in fact, signs<br />

of vibrant cultural consumption:<br />

• Elitism. As the previous answers make clear, hipster taste<br />

tends toward the obscure. Almost every question pertaining<br />

to hipsters includes a jab at their penchant for liking<br />

things that "you haven't heard of." But did you ever<br />

consider that this perspective might be a result of your<br />

shortcomings, not theirs? I can guarantee that hipsters<br />

are familiar with both popular and underground culture,<br />

yet they overwhelmingly prefer the latter. You, on the<br />

other hand, only know the former. Hipsters have given<br />

everything a chance, and have settled on niches they consider<br />

superior (usually rightly so). You are afraid to venture<br />

outside the cozy confines of mainstream media. Who<br />

is the elitist in this situation?<br />

• Capriciousness. everyone values novelty in some aspects<br />

of their lives. nobody wants to watch the same movie every<br />

night, or use the same computer until the day they die.<br />

This is because novelty broadens our knowledge base and<br />

makes us more productive. So what's wrong with actively<br />

seeking novelty in music, art, film, and literature? Maybe<br />

it is inefficient to dwell on works that repeat last year's<br />

conventions, as progress in any area of society requires us<br />

to reject clichés. Maybe hipsters' passion for the "new" is<br />

much healthier than your complacency.<br />

• Laziness. Hipsters are often bashed for being consumers,<br />

rather than producers. But people forget that consumers<br />

are an integral part of any functioning economy. Hipsters<br />

limit their consumption of material goods, living five to<br />

a flat, shopping at thrift stores, and drinking cheap beer.<br />

But they provide a much-needed boost to the cultural<br />

sphere by eagerly buying records, going to concerts, and<br />

attending gallery openings. They represent what we could<br />

use more of in every area of society: critical, informed consumers<br />

who don't buy into something because "everyone<br />

else is doing it," but because they genuinely think it is better.<br />

366

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