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than to further convince ordinary Chinese people that China<br />

is misunderstood and that the Western world is antagonistic<br />

towards China and resentful of China’s development. What<br />

use is that?<br />

As someone commented, "Looking at western media and<br />

literature, we see a trend for the most subversive and anti-<br />

China stances being the most popular." That is true. I would<br />

say that Dashan is a pop culture figure, not an underground<br />

artist I work in the mass media, like all pop culture figures in<br />

China do. If that means Dashan doesn't suit this trend in the<br />

western media, that's too bad.<br />

stereotyping<br />

The assumption that Dashan is a performing monkey. Peter<br />

Hessler is one of my favorite American writer of books on<br />

China, but he did a real hatchet job on Dashan in his book<br />

“River Town” where in the same passage he admits that he’s<br />

never seen any appearances, but then concludes that Dashan<br />

is a performing monkey. There was no justification or explanation<br />

given.<br />

I do understand where this perception comes from, and<br />

it's closely linked to the comedic formula I described in part<br />

2c. Successive comedic skits in which Dashan consistently<br />

"showed up" his Chinese teacher led us to explore more and<br />

more ways in which my character could exceed the teacher's<br />

(and hence the audience's) expectations. This led to a formula<br />

under which Dashan was constantly being tested for<br />

his knowledge of Chinese culture or skill in the Chinese language,<br />

and typically ends with the same conclusion: Teacher<br />

says, "Wow, I can't believe it," and the audience applauds.<br />

However, I think to label this as being a "performing monkey"<br />

is an oversimplification that reflects a particularly Western<br />

bias and that doesn't stand up to serious analysis.<br />

The bottom line is that the performances are designed for<br />

a Chinese audience. To be a successful comedian, you have<br />

to have a clear understanding of audience perception, even<br />

if you are making an ass of yourself. You have to understand<br />

why audiences are responding to your material. In over twenty<br />

years of performing, I have never felt that the Chinese audience's<br />

approach to Dashan is: "This guy is a funny monkey;<br />

49

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