Jaargang 8, nommer 2 – Augustus 2011 - LitNet

More documents

Recommendations

Info

LitNet Akademies Jaargang 8(2) – Augustus 2011 Ezell, M.J.M. en K. O’Brien O’Keefe (reds.). 1994. Cultural artefacts and the production of meaning: The page, the image, and the body. Ann Arbor: University of Michigan Press. Floyd, S.A. 1995. The power of black music: Interpreting its history from Africa to the United States. New York: Oxford University Press. Forman, M. 2004. “Represent”: Race, space, and place in rap music. InForman en Neal (reds.) 2004. Forman, M. en M.A. Neal (reds.). 2004. That’s the joint! The hip-hop studies reader. New York: Routledge. Fourie, M. 2010. Is dit “zef” om jou “kômmin” te gedra? Volksblad, 16 Februarie, bl. 3. Frascina, F. en C. Harrison (reds.). 1992. Art in modern culture: An anthology of critical texts. Londen: Phaidon. Froneman, W. 2010. The riches of embarrassment: On traversing hegemonies. Ongepubliseerde kongresreferaat. IMS-SASRIM Kongres. Stellenbosch, 14–17 Julie. Galane, S. 2008. Beyond memory: Recording the history, moments and memories of South African music. Somerset-Wes: African Minds. Green, D. 2003. Where is the photograph? Manchester: Photoworks/Photoforum. Jazz rap. s.j. http://www.allmusic.com/explore/style/jazz-rap-d2920 (3 Desember 2010 geraadpleeg). Janus, E. (red.). 1998. Veronica’s revenge: Contemporary perspectives on photography. Zürich: LAC Press. Kerman, J. 1985. Contemplating music: Challenges to musicology. Cambridge, Mass.: Harvard University Press. Keyes, C.L. 2002. Rap music and street consciousness. Chicago: University of Illinois Press. Kramer, L. 2003. Musicology and meaning. The Musical Times, 144(1883):6–12. Krims, A. 2000. Rap music and the poetics of identity. Cambridge: Cambridge University Press. Lambrechts, L. en J. Visagie. 2009. “De la Rey, De la Rey, sal jy die Boere kom lei?”. LitNet Akademies, 6(2):75–105. http://www.oulitnet.co.za/newlitnet/pdf/la/LA_6_2_lambrechts_visagie.pdf (30 November 2010 geraadpleeg). Lucia, C. (red.). 2005. The world of South African music. Newcastle: Cambridge Scholars Press. Lüdemann, W. 1993. Music in transition: In search of a paradigm. South African Journal of Musicology, 13:31–42. ISSN 1995-5928 | Tel: 021 886 5169 | E-pos: akademies@litnet.co.za
LitNet Akademies Jaargang 8(2) – Augustus 2011 Mack rap. s.j. http://www.urbandictionary.com/define.php?term=mack (20 November 2010 geraadpleeg). Marlin-Curiel, S. 2003. Sampling the past: Sound, language and identity in the New South Africa. In Wasserman en Jacobs (reds.) 2003. Martin, P. 1995. Sound and society: Themes in the sociology of music. Manchester: Manchester University Press. Matthews, M. 1999. “Trance met ’n missie”. Daily Mail and Guardian, 17 Desember. http://www.mg.co.za/art/music/9912/9912217-transmissie.html (15 November 2010 geraadpleeg). Mellencamp, P. (red.). 1990. Logics of television: Essays in cultural criticism. Bloomington: Indiana University Press. Morris, M. 1990. Banality in cultural studies. In Mellencamp (red.) 1990. Muller, S. 2008. Arnold van Wyk’s hard, strong, flinty path or making things beautiful in apartheid South Africa. Musical Times, 149 (1905):61-78. —. 2005. Queer alliances. In Walton en Muller (reds.) 2005. —. 2001. Exploring the aesthetic of reconciliation: Rugby and the South African national anthem. South African Journal of Musicology, 21:33-46. —. 2000. Postmortem of biopsie? Oor middelpuntvlietende kragte, skynmodulasies, reënboë en Suid-Afrikaanse musikologie. Tydskrif vir Geesteswetenskappe, 40(3):232–9. —. 2000a. Sounding margins: Musical representations of white South Africa. Ongepubliseerde DPhil-proefskrif. Oxford: Oxford University. Norris, C. 2005. Music theory, analysis and deconstruction: How they might (just) get along together. International Review of the Aesthetics and Sociology of Music, 36(1):37–82. —. 1990. What’s wrong with postmodernism: Critical theory and the ends of philosophy. New York: Harvester Wheatsheaf. Nzewi, M. en O. Nzewi. 2002. A contemporary study of musical arts informed by African Indigenous Knowledge Systems. Pretoria: African Minds. Olwage, G. (red.). 2008. Composing apartheid: Music for and against apartheid. Johannesburg: Wits University Press. Party rap. s.j. http://www.allmusic.com/explore/style/party-rap-d4403 (20 November 2010 geraadpleeg). Potter, R.A. 1995. Spectacular vernaculars: Hip-hop and the politics of postmodernism. Albany: State University of New York Press. Prins, G. 2010. Jack se bek is te vuil vir Juanita. http://www.rapport.co.za/Suid- Afrika/Nuus/Jack-se-bek-is-te-vuil-vir-Juanita-20100918 (25 Mei 2010 geraadpleeg). ISSN 1995-5928 | Tel: 021 886 5169 | E-pos: akademies@litnet.co.za
Page 1 and 2:
LitNet Akademies ’n Akademiese jo
Page 3 and 4:
Adviesraadslede van LitNet Akademie
Page 5 and 6:
Inhoudsopgawe Afdeling: Natuurweten
Page 7 and 8:
Afdeling: Natuurwetenskappe
Page 9 and 10:
LitNet Akademies Jaargang 8(2) Augu
Page 11 and 12:
Page 13 and 14:
Page 15 and 16:
(e) Alle komposisies van en is mo
Page 17 and 18:
Page 19 and 20:
T(x) = 33.6348 T(L 1 U 1 x) = 18.09
Page 21 and 22:
Dus is LitNet Akademies Jaargang 8(
Page 23 and 24:
Page 25 and 26:
Stelling 9: Vir x ∈ Mn−1 geld:
Page 27 and 28:
Page 29 and 30:
LitNet Akademies Jaargang 8(2) - Au
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
Page 147 and 148:
Page 149 and 150:
3.3.4 Tekstuele patrone LitNet Akad
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
Page 161 and 162:
153 LitNet Akademies Jaargang 8(2)
Page 163 and 164:
155 1. Inleiding LitNet Akademies J
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
Page 173 and 174:
Page 175 and 176:
Page 177 and 178:
Page 179 and 180:
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189 and 190:
181 5.2.6 Oorkoepelende tema LitNet
Page 191 and 192:
183 Botha, E. 1992. Kortverhaal. In
Page 193 and 194:
Page 195 and 196:
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
Page 203 and 204:
Page 205 and 206:
Page 207 and 208:
Page 209 and 210:
Page 211 and 212:
Page 213 and 214:
Page 215 and 216:
Page 217 and 218:
Page 219 and 220:
Page 221 and 222: LitNet Akademies Jaargang 8(2) - Au
Page 241 and 242: - Fundamentele toekomstige verander
Page 249 and 250: Bibliografie LitNet Akademies Jaarg
Page 271: LitNet Akademies Jaargang 8(2) - Au
Page 309 and 310: eenbleek (gedig 5, r. 4) / bone-ble
Page 317 and 318: Summary LitNet Akademies Jaargang 8
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329 and 330:
Page 331 and 332:
Page 333 and 334:
Page 335 and 336:
Lees die volgende sinne: Hulle ken
Page 337 and 338:
show all

Jaargang 8, nommer 2 – Augustus 2011 - LitNet

Create successful ePaper yourself

Delete template?

Save as template?