Report_Issue 1/2009 - Jubiläum/ 20 Jahre Mauerfall

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TRANZIT IS A NETWORK WORKING INDEPENDENTLY IN AUSTRIA, THE CZECH REPUBLIC, HUNGARY AND SLOVAKIA SINCE 2002. The network has a polycentric structure as a collective of autonomous local units cooperating across various borderlines – between nations, languages, media, mentalities and histories. Each tranzit works under its own conditions in a variety of local contexts, using different formats and methods such as critical platforms, exhibitions and other artistic settings (musical, poetical, literary, performative ...), lectures, discussions, publications, research, mediation and non-conformist education. tranzit generates deep experience in the local artistic and intellectual biotopes in relation with continuity, a re-assessment of contemporary history (arising chiefly from the artistic catharsis of the 1960s and ‘70s) and in challenging the canons, geographies and master narratives of postwar European (art) histories. The aim of tranzit is to act translocally, i.e., in constant dialectics between local and global cultural narratives. tranzit’s experience with self-organized activities in progressive cultures dates back to the totalitarian society of the 1970s and ‘80s and has continued through the hypertransformational period and the comprehensive reform of all strata of society in the 1990s and up to the present. tranzit is engaged in numerous side projects, such as Monument to Transformation in Prague, the Július Koller Society in Bratislava and Vienna and The Free School for Art Theory and Practice in Budapest. tranzit’s main financial support comes from the Erste Group banks in Austria, Czech Republic, Hungary and Slovakia. www.tranzit.org Vít Havránek is a theoretician and organizer based in Prague, Czech Republic. Since 2002 he is working as a project leader of the initiative for contemporary art tranzit.cz. He worked as a curator for the Municipal Gallery, Prague and National Gallery in Prague. He lectures in contemporary art at the Academy of Applied Arts, Prague. He has curated and co-curated a number of exhibitions, amongst which are: “A CDEFGHIJK MNOP STUV Z”, part of Societe Anonyme, Le Plateau, Paris, 2007, tranzit – Auditorium, Stage Backstage, Frankfurter Kunstverein, Frankfurt 2006, I, series of exhibitions in three acts (Secession Vienna, Futura Prague, tranzit workshops Bratislava, 2006), project “The Need to Document” (Basel, Lüneburg, Prague, 2005), “Definitions of Everyday” (Prague Biennale 2, 2005), “Lanterna Magika” (Paris, 2002), Jiři Kovanda (Brno, 2004), Otto Piene (Prague 2002), action, word, movement, space (Prague, 1999). He is editor of the tranzit series published by jrp | ringier (Jan Mančuška, Jiří Kovanda and others). Havránek lives and works in Prague. tranzit.cz civic association fričova 11, cz-120 00 prague, czech republic t: 00420 222562031 office.cz@tranzit.org 94 Dóra Hegyi is project leader of tranzit.hu. She is an art historian and curator based in Budapest and has been curator at the Ludwig Museum Budapest since 1996, where she initiated the Project Room in 1999. Exhibitions (selection): “Project Room”, Ludwig Museum Budapest (1999), “Budapest Box”, The hidden scene of the 1990s (2002), “Moszkva tér” (Gravitation, 2003) und “Tell a Line What a Ball Is” (2004–2005). Periferic 8 Biennale – “Art as Gift” (Iasi Romania 2008). She was a founding member of the group KMKK (Two Artists, Two Curators) and founding member of the Curators’ Association Budapest. Hegyi lives and works in Budapest. tranzit.hu civic association ezredes u. 13, hu-1024 budapest, hungary office: forint u. 4, hu-1024 budapest, hungary office@tranzitinfo.hu Boris Ondreička is an artist, singer and curator. Among others he has been working with and for Radio Ragtime, Slovak Television, monthly magazines Eva and Inspire, Soros centre of contemporary arts, advertisement and show business in Bratislava and initiatives Projekt Relations and Zwischenpalastnutzung in Berlin, “documenta 12” in Kassel, Kunstverein München and others. Among others he has been exhibiting his works at Manifesta 2, Venice Biennale, Gyumri Biennale, PS1 NYC, Kiasma Helsinki, BAK Utrecht, De Appel Amsterdam, W139 Amsterdam, Fond. Sandretto Re Rebaudengo Torino, TBA 21 Vienna, Secession Vienna, MUMOK Vienna, M4 Bregenz, Frankfurter Kunstverein, Kölnischer Kunstverein, Palast der Republik Berlin, Kunsthalle Loppem and others. Since 1986 he is the lead singer and lyrics writer of the lo-fi band Kosa z nosa. Since 2002 he leads the art initiative tranzit.sk. Since 2008 he is founding member of the Július Koller Society. Since 2009 he cocurates “Manifesta 8”. Ondreička lives and works in Bratislava. tranzit.sk civic association šulekova 18, sk-81106 bratislava, slovak republic t 00421.905.277052 f 00421.2.45993042 office.sk@tranzit.org Georg Schöllhammer is an editor, author, curator and editor-in-chief of the magazine “springerin – Hefte für Gegenwartskunst”, Vienna, which he co-founded in 1995. He is project leader of tranzit.at, founding member and chair of the Július Koller Society, and he was editor-in-chief of “documenta 12 magazines”. He was editor of fine arts for the newspaper “Der Standard” (1988–94) and from 1992 onwards a visiting professor for Theory of Contemporary Art at the University for Artistic and Industrial Design, Linz. He has published widely on contemporary topics and on issues of urban and cultural transformation focusing on Central and South Eastern Europe Western and Central Asia and the Caucasus. Schöllhammer lives and workes in Vienna. tranzit.at verein erste tranzit vienna. central european contemporary art c/o springerin, museumsplatz 1, a-1070 vienna, austria t 0043.1.52291241951 f 0043.1.5229125 office.at@tranzit.org
TRANZIT PROGRAMME 2002–2009. EXHIBITIONS, SCREENINGS, ROUND TABLES, ARTIST’S PROJECTS, BOOKS, SOCIAL PLATFORMS, COLLABORATION WITH: Vito Acconci, Friedrich Achleitner, Dan Acostioaei, Milan Adamčiak, Gabriela Adamesteanu, Marek Adamov, Vardan Agassyan, Eija-Liisa Ahtila, Konstantin Akinsha, John Akomfrah, Josef Alan, Lara Almarcegui, Paweł Althamer, Jesper Alvaer, An Architektur, Ayreen Anastas, Branka Andelković, Heike Ander, Edit András, Sören Andreasen, Karen Andreassian, Ant Farm, Aristide Antonas, Ruben Areshvatyan, Silvina Arismendi, Anna Artaker, Vasil Artamonov, Artem Magun, Volodymyr Artiukh, Kutlug Ataman, Fikret Atay, Yurii Avvakumov, Azorro, Petr Babák, Joseph Backstein, Fia Backström, Miriam Bäckström, Babi Badalov, Zdenka Badovinac, Rashid Badreldin, Bart de Baere, David Baffi, Sergej Bakanev, Ján Bakoš, Ruxandra Balaci, Zbyněk Baladrán, Béla Balázs Studio, John Baldessari, Matthew Barney, Maria Baroncea, Pablo Leon de la Barra, Joaquín Barriendos Rodríguez, Robert Barry, Jiří Bárta, Yael Bartana, Peter Bartoš, Zuzana Bartošová, Andrea Bartošová, Mária Bartuszová, Ricardo Basbaum, Ute Meta Bauer, Hrach Bayadyan, Timothy Beasley-Murray, Matei Bejenaru, László Beke, María José Belbel, Václav Bělohradský, Erick Beltrán, Lynda Benglis, Zuzana Beniačová, Benzo, Balázs Beöthy, Roman Berka, Vladimír Beskid, Hakim Bey, Homi K. Bhabha, Marc Bijl, Johanna Billing, Erik Binder, Gabika Binderová, Dara Birnbaum, Claire Bishop, Ljiljana Blagojević, Fedor Blaščák, Cyril Blažo, René Block, Mária Bodorová, Gábor Bódy, Cezary Bodzianowski, Manon de Boer, Christine Böhler, Konstantin Bokhorov, Josef Bolf, Egon Bondy, Monika Bonvicini, Eva Beatrix Bora, Vjera Borozan, Petra Bošanská, Iara Boubnova, Nicolas Bourriaud, Nathalie Boutin, Thomas Boutoux, Lionel Bovier, Luchezar Boyadjiev, Svetlana Boym, Pavel Braila, Geta Bratescu, Majlena Braun, Sabine Breitwieser, Andris Brinkmanis, Ondřej Brody, Dušan Brozman, Roman Brychta, Olga Bryukhovetska, Ján Budaj, Adam Budak, Boris Buden, Roger M. Buergel, Gabriela Bukovinská, Vladimíra Büngerová, James Lee Byars, Adam Bžoch, Cabello/Carceller, Pedro Cabrita Reis, Nerea Calvillo, Augusto de Campos, Peter Campus, Mircea Cantor, Juraj Čarný, Anna Ceeh, Filip Cenek, Peter Čepec, Loulou Chérinet, Olga Chernysheva, Anetta Mona Chisa, Ondřej Chrobák, Mário Chromý, Chto delat (What is to be done?), Keti Chukhrov, Věra Chytilová, Jana Cihlářová, Karel Císař, Alex Cistelecan, Ana Paula Cohen, Mathieu Copeland, Dario Corbeira, Stefan Cosma, Cosmin Costinas, Douglas Coupland, Gabrielle Cramm, Martin Creed, Maria Crista, Alexandra Croitoru, Allan Currall, Nick Currie, Robert Cyprich, Michal Czinege, Josef Dabernig, Adam Dade, Jonas Dahlberg, Kajsa Dahlberg, Calin Dan, Emanuel Danesch, Katrina Daschner, Jiří David, Catherine David, Oskar Dawicki, Juliane Debeusscher, Koenraad Dedobbeleer, Katy Deepwell, Ekaterina Degot, Plamen Dejanoff, 95
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REPORT Magazine for Arts and Civil
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Vorwort Editorial 20 JAHRE MAUERFAL
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EUROPA EUROPE Eduard Steiner // Fjo
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Eduard Steiner: What about Europe s
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“It is only about your dream …
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“These ridiculous visas belong ba
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Olympischer Bär Das Bärchen Misch
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HEY EUROPA Hey Europa, ich schreibe
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„ Un s e r e Zukunft ist europäi
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„ Our future is European!“ —
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Diaprojektor Nach dem Krieg waren d
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Analyse über das Land schreiben wo
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for nine months. He had been instru
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Corruption is not a cliché “Stud
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Modell des Fernsehturms Das Holzmod
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Jewgenija Albaz ist eine jener Jour
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Jewgenija Albaz is one of those jou
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Issue 01/2004 Artwork: Boris Missir
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Waffen der Revolution Die zwei Pist
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Homesick IS NO BORDER, NO BORDER, N
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Antje Mayer: Since 1989 Vienna has
Seite 43 und 44: Manuela Hötzl: You say that with t
Seite 45 und 46: How have the culture scenes in the
Seite 47 und 48: „ BEI MIR GIBT ES ETWAS …“ Di
Seite 49 und 50: 1 2 7 5 6 3 8 9 11 4 10
Seite 51 und 52: was declared the fish day so as not
Seite 53 und 54: Hase und Wolf Der Hase und der Wolf
Seite 55 und 56: — Mircea Cărtărescu — In 1989
Seite 57 und 58: Slovenia: Instructions for a Visito
Seite 59 und 60: — Marjana Gaponenko — It began
Seite 61 und 62: READING HISTORIES AND TELLING STORI
Seite 63 und 64: Souvenir Raumtransporter „Progres
Seite 65 und 66: the Manuela Hötzl: In the process
Seite 67 und 68: DIE ZUNGE REICHT (WIRKLICH) WEITER
Seite 69 und 70: SOZIALES SOCIAL ISSUES Martin Schen
Seite 71 und 72: „Europa muss den Mut haben, sich
Seite 73 und 74: Full in the world, full in faith Sv
Seite 75 und 76: Migration researcher Michael Jandl
Seite 77 und 78: Einkaufsnetz „Awoska“, Milchver
Seite 79 und 80: “Eating is something political”
Seite 81 und 82: „Das Wissen über traditionelle A
Seite 83 und 84: Fischbesteck, Werbung für Seetang,
Seite 85 und 86: Artwork: Július Koller 85
Seite 87 und 88: “We also see our collecting strat
Seite 89 und 90: Paweł Althamer „Kosmonauta 1“,
Seite 91 und 92: “The history of contemporary art
Seite 93: ZIT www.tranzit.org TRANZ 93
Seite 97 und 98: Lenka Kohoutová, Július Koller, S
Seite 99 und 100: THE TRANZIT PROGRAM AUTUMN / WINTER
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