Report_Issue 1/2009 - Jubiläum/ 20 Jahre Mauerfall

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François Quintin, R.E.P. Group, Márta Rácz, Radek Group, Oana Radu, Olexiy Radynsky, Rafani, Gérard Raulet, Gerald Raunig, Tere Recarens, Quentin Reed, Oliver Rehák, Jean- Pierre Rehm, Kathrin Rhomberg, Teresa Riccardi, Gabriella Ricciardi, Hans Richter, David Ries, David Riff, Mária Rišková, Martin Ritter, Józef Robakowski, Petr Robejšek, Els Roelandt, Peter Rónai, Łukasz Ronduda, Pia Rönicke, Martha Rosler, Matej Rosmány, Sergio Rubira, Jacques Rupnik, David Rych, Anri Sala, Milan Salák, Fernando Sanchez Castillo, Anna Sanders, Dan Sandin, Adrian Sarbu, Azat Sargsyan, Hedwig Saxenhuber, Sabine Schaschl-Cooper, Markus Scherer, Hans Scheugl, Ernst Schmidt Jr., Georg Schöllhammer, Marco Scotinini, Kateřina Šedá, Rasťo Sedlačík, Martin Sedlák, Keiko Sei, Walter Seidl, Katharina Seidl, Richard Seneši, Vanda Sepová, Tereza Šerá, Alina Serban, Richard Serra, Mariana Serrano, Jan Šerých, Jiří Ševčík, Katarina Šević, Gregory Sholette, Ján Šicko, Josh Siegel, Eric Siegel, Jiřina Šiklová, Renata Šikoronja, Erik Šille, Milan Šimečka, Evžen Šimera, Štěpánka Šimlová, Ján Šipecz, Martin Škabraha, Jiří Skála, Aleksander Skidan, Michal Škoda, Lenka Slámová, Milada Ślizińska, Trevor Smith, Michael Snow, Sean Snyder, Société Réaliste, Linda Sokačová, Jan Sokol, Tomáš Sokol, Alexander Sokolov, Dimytri Soroka, Monika Sosnowska, Anna Soucek, François Soulage, Braňo Špaček, Claudia Spinelli, Gayatri Chakravorty Spivak, Dejan Sretenovic, Tamás St. Auby, Jack Stack, Yannis Stavrakakis, Alberto di Stefano, Zuzana Stefkova, Bettina Steinbrügge, Barbara Steiner, Petr Štembera, Susan Stenger, Tijana Stepanović, Mladen Stilinović, Branka Stipančić, Mats Stjernstedt, Kamen Stojanov, Václav Stratil, Tomáš Strauss, Markéta Strnadová, Ondřej Stupal, Annette Südbeck, János Sugár, Jiří Suk, Zdislav Šulc, Zuzana Surkošová, Aplonija Susteršić, Misko Suvaković, Emese Süvecz, Tomáš Svoboda, András Szirtes, Mika Taanila, Rodica Tache, Arman Tadevosyan, Avdei Ter-Oganjan, Laco Teren, Karel Thein, Marek Ther, Jiří Thýn, Katalin Timar, Oxana Timofeeva, Stefan Tiron, Milan Tittel, Lucia Tkáčová, Ondřej Tobola, Raša Todosijević, Marcel Tomášek, Igor Tomeš, Biljana Tomić, Milica Tomić, Tsolak Topchian, Attila Tordai-S., Wolgang Traeger, Goran Trbuljak, Andreas Treichl, Heie Treier, Florin Tudor, Filip Turek, Petr Turek, Salla Tykkä, William Tyler, Ulay, Timm Ulrichs, Juan Valentini, Jiří Valoch, Vassilis Vamvakas, Guy Van Belle, Radek Váňa, Tomáš Vaněk, Gabriela Vanga, Josip Vaništa, Zdeněk Vašíček, Woody Vasulka, Steina Vasulkova, Mona Vatamanu, VDB, Vera Vecanski, Jan Verwoert, Jean Vigo, Dmitry Vilensky, Bill Viola, Barbara Visser, Vangelis Vlahos, Borut Vogelnik, Raluca Voinea, Miloš Vojtěchovský, Hortensia Völckers, Clemens von Wedemeyer, Silvie Vondřejcová, Stevan Vuković, Jindřich Vybíral, Stephan Wackwitz, Martin Walde, Peter Watkins, William Wegmann, Peter Weibel, Lois and Franziska Weinberger, Lawrence Weiner, David Weiss, John C. Welchman, Wolfgang Welsch, WHW (What, How & for Whom), Heide Wihrheim, Bernhard Willhelm, Ian Wilson, Jill Winder, Michal Wolinski, Erwin Wurm, XYZ, Haegue Yang, Jun Yang, Igor Zabel, Dušan Záhoranský, Peter Zajac, Václav Žák, Volker Zander, Kateryna Zavoloka, Ferdinand Zecca, Despina Zefkili, Milan Zelený, Jiří Zemánek, Martin Zet, Ella Ziegler, Siegfried Zielinski, Anna- Nicole Ziesche, Želimir Žilnik, Magdalena Ziółkowska, Katarína Živanović, Slavoj Žižek, Gordana Zlatanović, Artur Żmijewski, Heimo Zobernig, Tirdad Zolghadr, Franciska Zólyom, 98 Vlastimil Zuska, Daniela Zyman and many others
THE TRANZIT PROGRAM AUTUMN / WINTER 2009 tranzit.hu Exhibition: Typopass – Critical Design and conceptual Typography organized by tranzit.hu and Dorottya Gallery (Műcsarnok) Curators: Judit Angel, Dóra Hegyi, Zsuzsa László Participants: Andreas Fogarasi, Lajos Kassák, László Moholy-Nagy, Société Réaliste, Boris Ondreička, Katarina Šević, Mladen Stilinović, others and artists’ publications How can we establish a critical design that is in opposition to the mainstream consumer culture and with ecological, geopolitical, and social consciousness does not simply serve client interest but aspires to shape actively visual culture, and society? Such an utopist approach to design first appeared at the beginning of the 20th century in modernist movements, which questioned the ornamental function of design proposing a different concept of it that would serve social and political purposes. However, the new and revolutionary visual code introduced by modernism in time became a sheer stylistic feature of elegance and professionalism. In the 1960–70s the concept of anti-design emerged as an expression of critical attitude and underground spirit deliberately applying and appropriating amateur and rudimentary techniques. Today, design solutions created originally out of political and social engagement became freely exchangeable stylistic elements and marketing devices. Critical approach can typically be observed in the political decoding and reflected application of various visual languages. Typography as a visual language that can be interpreted both in the field of fine art and design is in the focus of the project. The exhibition presents historical and contemporary works, projects, and publications from the frontier design and art grouped along three topics: 1 Typographic Utopia, 2 Anti-design, 3 Subversive design and typography typology. The exhibition and program series Typopass – critical design and conceptual typography is part of the international project Art Always Has Its Consequences supported by the Culture 2007 Program of the European Union Duration: 14 October–27 November 2009 Sites: Budapest–Dorottya Gallery (Dorottya u. 8.), Labor (Képíró u 6.) 14 October–15 November 2009; Platán Gallery (Polish Institute, Andrássy út 32.) 22 October–27 November 2009 Connected to the exhibition: 14–15 October 2009 Free School for Art Theory and Practice with Société Réaliste, Márton Szentpéteri and others 27–29 November 2009 Free School for Art Theory and Practice with terminal 2: Edit Molnár (Berlin-Budapest) and Aleya Hamza (Cairo) tranzit.blog.hu ongoing Visual culture online magazine in Hungarian Fall: launch of the English version Publication Interviews with lecturers of the Free School for Art Theory and Practice 2006–2007 tranzit.cz PUBLISHING PROGRAMME Stano Filko catalogue A catalogue of an important Slovak artist. Spring 2010 publisher tranzit.cz and JRP-Ringier Posters by post The poster medium, combined with the artist’s option of using one side as his or her catalogue, sent by post to a chosen group of galleries, curators, artists and other interested persons. Autumn issue: Zbyněk Baladrán (cz) TRANZITDISPLAY GALLERY Exhibition: A “Ladies Almanack*” Curators: Hedwig Saxenhuber (springerin, Vienna, at) Artists: Dorit Margreiter Ines Doujak Katrina Daschner In cooperation with tranzit.at and springerin Magazine (at) A “Ladies Almanack*” builds the parenthesis for the Prague exhibition of the three female artists. The title is borrowed from the famous book “Ladies Almanack” by Djuna Barnes about a predominant lesbian circle in Paris of the 1920s, full of obscure language, inside jokes and ambiguity The exhibited works by Dorit Margreiter, Ines Doujak and Katrina Daschner deal partly with lesbianism in different forms, but it is not the main theme of their works. Dorit Margreiter is interested in architecture, film (business) and representation, Katrina Daschner rewrote and transferred the famous novel “Lolita” by Vladimir Nabokov to a lesbian setting, and Ines Doujak dissolved the matrix of heteronormativity as the “normal” social order in her works. Each of these artistic positions deals with a specific theme, and while their art differs greatly, they all share a structural approach, which critically questions the orders determining social aspects of our lives, our culture and politics, focussing on gender aspects. Duration: 18 September–11 November 2009 tranzitdisplay Dittrichova 9/337, Prague 2, 12000, CZ ——— Exhibition: Who is student? Curators: Václav Magid, Vasil Artamonov (cz) A project of Václav Magid, Czech young artist and curator; regarding student’s identity and its history. The Exhibition deals with the anniversary of the Velvet Revolution in November 1989. In cooperation with The Student Council. Duration: 08 Dezember 2009–31 January 2010 Lectures and discussions: November–December 2009 A long-term series of lectures, discussions and round tables are going on in 2009. Participants: theoreticians, curators, artists and other guests. tranzitdisplay Dittrichova 9/337, Prague 2, 12000, CZ ——— Exhibition: Sung Hwan Kim Exhibition Solo show of Sung Hwan Kim (b. 1975, Seoul). In his practice, the artist integrates video and performance art, taking on the role of director, editor, performer, composer, narrator and poet. By approaching his own work from all production angles, his pieces are infused with his own highly subjective vision. Duration: 23 February 2010–09 May 2010 tranzitdisplay Dittrichova 9/337, Prague 2, 12000, CZ ——— Workshop: Radio d-cz One-week radio workshop in tranzitdisplay, including a series of discussions and lectures on broadcasting internet projects. The broadcasting stations in Germany and Czech Republic invite specialists from both countries to curate five radio art works for five independent “radio-spaces”, in tranzitdisplay. These artworks will then be broadcast by public radio stations in both countries. In cooperation with Gaby Hartel (d), Frank Kaspar (d), Michal Rataj (cz) and Miloš Vojtěchovský (cz). Support Kulturstiftung des Bundes (d). Duration: 16–22 November 2009 tranzitdisplay Dittrichova 9/337, Prague 2, 12000, CZ tranzit.sk Exhibition: LOIS & FRANZISKA WEINBERGER at tranzit workshops and around Duration: 01 October–21 November 2009 at tranzit workshops and around tranzit workshops Studená 12, Bratislava–Zlaté Piesky, Slovak Republic open from wednesday to saturday, 3 to 6 pm tranzit.at PROJECT UKRAINE Art + Knowledge_2, NOVEMBER 2009 Revolution?, FEBRUARY 2010 Cooperation between Visual Culture Research Center National University of Kiev-Mohyla Academy (NaUKMA) and tranzit.at Located in the former space of the Soros Contemporary Art Centre in Kyiv at the National University of Kyiv- Mohyla Academy, the Visual Culture Research Center is an initiative in an academic frame. Involving the faculty and students of the cultural studies department in collaboration with international researchers, curators, critics and artists in the form of working seminars, conferences, residences and exhibitions, the Center is intended as an innovative platform to integrate current artistic practice and academic disciplines. The aim of the Center is to develop an environment that promotes the analysis of manifestations in post-Soviet cultural, political, and economic situations evident and particular to Ukraine. With a focus on issues relevant to interpreting the concrete historical circumstance, the primary objective of the Centre is to generate a format for the production of discourse. The program includes: – Series of lectures by researchers, artists, critics and curators www .tranzit .org Here you will find further information on projects by tranzit in Austria, Hungary, Slovakia and the Czech Republic. – Visual Laboratory – A regular presentation and discussion of the academic/field research – Video screenings and eventually art exhibitions introducing international positions related to the themes approached – Conferences / Seminars SWEET SIXTIES Ongoing research project, next public events at the Ashkalawan Festival Beirut, APRIL 2010 Sweet Sixties is a long term experimental curatorial, scientific and educational research project that investigates hidden territories of the revolutionary period of the 1960s regarded from contemporary artistic and theoretical perspectives. The curatorial and artistic focus lies on “post ideological societies” (in post-Soviet, post socialistic, Eastern European, Middle Eastern, West and Central Asian as well as North African countries and in a second phase in China and Latin America) and is making a comparative analysis and contextualization of the historical developments in arts, culture and society of the 1960s and 70s and their subsequent effects on contemporary socio-political and cultural situations. Project researchers are: Nancy Adajania (University of Delhi), India; Ali Akay (art critic, Mimar Sinan University) Turkey; Janane al-Ani (curator and writer, Baghdad) Irak; Ruben Arevshatyan (artist, independent curator, Armenian Open University) Armenia; Olga Bryukhovetska (Visual Culture Research Center, Kyiv) Ukraine; Keti Chukrov (Lomonossov University, Moscow) Russia; Daho Djerbal (University of Algiers), Algeria; Galit Eliat (Israeli Center for Media Art, Tel Aviv) Israel; Tom Holert (Academy of Fine Arts, Vienna) Germany/Austria; Ulan Japarov (art historian and architect, Bishkek), Kirgistan; Vaisf Kortun (Platform Garanti Contemporary Art Center) Istanbul, Turkey; Iliko Zautashvili (artist, editor of LOOP magazine, Tbilissi) Georgia; Beral Madra (Istanbul) Turkey; Toni Mariani (writer, Rome) Italy; Lukasz Ronduda (Center for Contemporary Art, Warsaw) Poland; Nermin Saybasili (cultural theorist, Mimar Sinan University) Turkey; Georg Schöllhammer (art critic, curator, editor) Austria; Yulija Sorokina (Curator, Almaty), Kazakhstan 99
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REPORT Magazine for Arts and Civil
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Vorwort Editorial 20 JAHRE MAUERFAL
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EUROPA EUROPE Eduard Steiner // Fjo
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Eduard Steiner: What about Europe s
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“It is only about your dream …
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“These ridiculous visas belong ba
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Olympischer Bär Das Bärchen Misch
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HEY EUROPA Hey Europa, ich schreibe
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„ Un s e r e Zukunft ist europäi
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„ Our future is European!“ —
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Diaprojektor Nach dem Krieg waren d
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Analyse über das Land schreiben wo
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for nine months. He had been instru
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Corruption is not a cliché “Stud
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Modell des Fernsehturms Das Holzmod
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Jewgenija Albaz ist eine jener Jour
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Jewgenija Albaz is one of those jou
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Issue 01/2004 Artwork: Boris Missir
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Waffen der Revolution Die zwei Pist
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Homesick IS NO BORDER, NO BORDER, N
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Antje Mayer: Since 1989 Vienna has
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Manuela Hötzl: You say that with t
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How have the culture scenes in the
Seite 47 und 48: „ BEI MIR GIBT ES ETWAS …“ Di
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Seite 53 und 54: Hase und Wolf Der Hase und der Wolf
Seite 55 und 56: — Mircea Cărtărescu — In 1989
Seite 57 und 58: Slovenia: Instructions for a Visito
Seite 59 und 60: — Marjana Gaponenko — It began
Seite 61 und 62: READING HISTORIES AND TELLING STORI
Seite 63 und 64: Souvenir Raumtransporter „Progres
Seite 65 und 66: the Manuela Hötzl: In the process
Seite 67 und 68: DIE ZUNGE REICHT (WIRKLICH) WEITER
Seite 69 und 70: SOZIALES SOCIAL ISSUES Martin Schen
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Seite 75 und 76: Migration researcher Michael Jandl
Seite 77 und 78: Einkaufsnetz „Awoska“, Milchver
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Seite 81 und 82: „Das Wissen über traditionelle A
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Seite 85 und 86: Artwork: Július Koller 85
Seite 87 und 88: “We also see our collecting strat
Seite 89 und 90: Paweł Althamer „Kosmonauta 1“,
Seite 91 und 92: “The history of contemporary art
Seite 93 und 94: ZIT www.tranzit.org TRANZ 93
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Report_Issue 1/2009 - Jubiläum/ 20 Jahre Mauerfall

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