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The Study of Literature in the Graduate School 293<br />

and "appreciation," can analyze and discuss books with his classes.<br />

Such a program of graduate study could be inaugurated grad-<br />

ually. Feasible means present themselves.<br />

In the linguistic requirements, radical change should be made.<br />

The usual perfunctory attainments in the medieval stages of<br />

modern languages and in Latin are, we think, of little direct<br />

value to the student of modern literatures. This is, of course,<br />

not to disparage really substantial attainments in the classical languages,<br />

nor to question the importance of Old French or Old<br />

Norse as well as Latin for the student specializing in medieval<br />

literature and civilizations. Nor, of course, do we doubt the<br />

value of a science of linguistics which has its own rationale and<br />

problems and should train scholars by its own methods. But the<br />

new type of Ph.D. would profit most, it seems to us, from a real<br />

conversance with one or two modern languages. The present<br />

examinations in French and German frequently test the candi-<br />

dates' ability to read some paper in Englische Studien or Anglia<br />

or some passage in Taine or Legouis-Cazamian—the ability, that<br />

is, to read academic or critical prose concerning English litera-<br />

ture. The assumption, surely deplorable, is that French and<br />

German, for the man of letters as for the chemist or physicist, are<br />

tool subjects, vehicles of scientific communication.<br />

At present our linguistic requirements are too easy, too uni-<br />

form, and not adequately literary. Our student of literature<br />

should know French or German or Italian or even Spanish or<br />

Russian so well that he can read poetry and fiction in one or two<br />

of those tongues with literary understanding. If he knows Racine<br />

and Baudelaire, or Goethe and Rilke—which, of course, im-<br />

plies that he is able to study other French and German poets<br />

his understanding of English poetry will be measurably in-<br />

creased (in terms not of "sources" and "influences" but of com-<br />

—<br />

parison and contrast) and he will come into direct relation with<br />

modern movements of literature, which neither can nor should<br />

be understood in terms of a single language. Thus it would be<br />

possible to lower those boundaries between national literatures<br />

which have obstructed the synoptic view of literary history, to<br />

approximate, at least, the ideal of "general literature."<br />

Our present graduate curriculum offers two kinds of courses

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