theoryofliteratu00inwell

Bibltografhy 377
Lukacs, Georg, Die Theorie des Romans: Ein geschichtsfhilosofhischer
Versuch iiber die Formen ier grossen Efik, Berlin, 1920
Mauriac, Frangois, Le Romancier et ses fersonnages, Paris, 1933
Muir, Edwin, The Structure of the Novel, London, 1929
Myers, Walter L., The Later Realism: A Study of Characterization in
the British Novel, Chicago, 1927
O'Connor, William V. (ed.), Forms of Modem Fiction, Minneapolis,
1948
Petsch, Robert, Wesen und Formen der Erz'dhlkunst, Halle, 1934
Phillips, Walter C, Dickens, Reade, and Collins, Sensation Novelists:
A Study in the Conditions and Theories of Novel Writing in Vic-
torian England, New York, 1 91
Rickword, C. H., "A Note on Fiction," The Calendar, A Quarterly Re-
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view, III (1926-27), pp. 226-33. Reprinted in O'Connor, of. cit. y
pp. 294-305
Riemann, Robert, Goethes Romantechnik, Leipzig, 1902
Spielhagen, Friedrich, Beitrage zur Theorie und Technik des Romans,
Leipzig, 1883
Tate, Allen, "Techniques of Fiction," Sewanee Review, LII (1944), pp.
210-25. Reprinted in O'Connor, of. cit., pp. 30-45
Thibaudet, Albert, Le liseur de romans, Paris, 1925
, Reflexions sur le Roman, Paris, 1938
Walzel, Oskar, Das Wortkunstwerk : Mittel seiner Erforschung, Leipzig,
1926
Wenger, J., "Speed as a Technique in the Novels of Balzac," PMLA,
LV (1940), pp. 241-52
Wharton, Edith, The Writing of Fiction, New York, 1924
Whitcomb, Selden L., The Study of a Novel, Boston, 1905
Whiteford, R. N., Motives in English Fiction, New York, 191
II. DRAMA
Archer, William, Playmaking, London, 191
Bentley, Eric, The Playwright as Thinker, New York, 1946
Bethell, S. L., Shakesfeare and the Pofular Dramatic Tradition, London,
1944
Bradbrook, M. C, Themes and Conventions of Elizabethan Tragedy,
Cambridge, 1935
Chekhov, Anton, Letters on the Short Story, the Drama, and other Lit-
erary Tofics, New York, 1924
Clark, Barrett H., Eurofean Theories of the Drama . . . , New York.
1918 and 1947
Ellis-Fermor, Una, The Frontiers of Drama, London, 1946
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