theoryofliteratu00inwell

Bibliografhy 355
CHAPTER VIII
Literature and Psychology
I. GENERAL, THE IMAGINATION, THE CREATIVE PROCESS
Arnheim, Rudolf, et al., Poets at Work, New York, 1948
Auden, W. H., "Psychology and Art," The Arts Today (ed. Geoffrey
Grigson), London, 1935, pp. I-21
Austin, Mary, "Automatism in Writing," XJnfartisan Review, XIV (1920),
PP- 336-47
Bartlett, F. C, "Types of Imagination," Journal of Philosophical Studies,
III (1928), pp. 78-85
Beguin, Albert, Uame romantique et le reve: essai sur le romantisme
allemand et la foesie franqaise, 2 vols., Marseilles, 1937; new ed., 1
vol., Paris, 1 946
Berkelman, Robert G., "How to Put Words on Paper" (on writers' methods
of work), Saturday Review of Literature, XXVIII (Dec. 29, 1945),
pp. 18-19
Biihler, Charlotte, "Erfindung und Entdeckung: Zwei Grundbegriffe der
Literaturpsychologie," Zeitschrift fur Asthetik, XV (1921), pp. 43-
87
Bullough, Edward, "Mind and Medium in Art," British Journal of Psy-
chology, XI ( 1 920-1), pp. 26-46
, "Psychical Distance as a Factor in Art and an Aesthetic Principle,"
British Journal of Psychology, V (1912-13), pp. 87-118. Reprinted,
with the omission of the last eleven pages, in M. Rader's Modern Book
of Aesthetics, New York, 1935
-, "The Relation of Aesthetics to Psychology," British Journal of
Psychology, X (1919-20), pp. 43-50
Busemann, A., "Uber lyrische Produktivitat und Lebensablauf," Zeit-
schrift fur angezvandte Psychologie, XXVI (1926), pp. 177-201
Chandler, Albert R., Beauty and Human Nature: Elements of Psycho-
logical Aesthetics, New York, 1934
Delacroix, Henri, Psychologie de Part, Paris, 1927
de Vries, Louis Peter: The Nature of Poetic Literature, Seattle, 1930
Dilthey, W., Das Erlebnis und die Dichtung, Leipzig, 1922
, "Die Einbildungskraft des Dichters," Gesammelte Schriften,
Vol. VI, Leipzig, 1924, pp. 103-241
Downey, June, Creative Imagination, London, I9 2 9
Frey, Dagobert, "Das Kunstwerk als Willensproblem," Zeitschrift fur
Asthetik, XXV (Beilage), 193 1, pp. 231-44