theoryofliteratu00inwell

ff. 228-235} Notes 337
20. Dibelius, Dickens, Leipzig, 1916.
21. Mario Praz, The Romantic Agony, London, 1933.
22. Cf. Arthur Sewell, "Place and Time in Shakespeare's Plays," Studies
in Philology, XLII (1945), pp. 205-24.
23. Cf. P. Lubbock, Craft of Fiction, London, 1 921, pp. 205-35.
24. Otto Ludwig, "Romanstudien," Gesammelte Schriften, VI (1891), p.
59 ff.; Maupassant, Introduction to Pierre et Jean (1887); H. James,
Prefaces to the New York Edition (collected as The Art of the Novel,
New York, 1 934). Cf. also Oskar WalzePs "Objektive Erzahlung," in
Das Wortkunstwerk, Leipzig, 1926, p. 182 ff., and J. W. Beach, The
Twentieth Century Novel, New York, 1932.
25. Ludwig, of. cit., pp. 66-7: The structure of Dickens' novels is analo-
gous to that of plays. "Seine Romane sind erzahlte Dramen mit
Zwischenmusik, d.i., erzahlter."
On James and Ibsen, cf. Francis Fergusson, "James' Idea of Dra-
matic Form," Kenyon Review, V (1943), pp. 495-507.
26. On "picture" and "scene," cf. James' Art of the Novel, pp. 298-300,
322-3-
27. Ibid., pp. 320-1, 327-9. James attacks narration in the first person as
well as the "mere muffled majesty of irresponsible 'authorship' " (the
omniscient narrator).
28. R. Fernandez, "La methode de Balzac: Le recit et 1'esthetique du
roman," Messages, Paris, 1926, p. 59 ff.
29. Oskar Walzel, "Von 'erlebter Rede,' " Das Wortkunstwerk, Leipzig,
1926, p. 207 ff. ; Albert Thibaudet, Flaubert, Paris, 1935, pp. 229-32;
E. Dujardin, Le monologue interieur . . . , Paris, 193 1 ; Wm. James,
Principles of Psychology, New York, 1890, Vol. I, p. 243: chap. IX,
in which the phrase appears, is called "The Stream of Thought."
30. Lubbock, of. cit., p. 147. "When Strether's mind is dramatized, noth-
ing is shown but the passing images that anybody might detect, looking
down upon a mind grown visible" {ibid., p. 162).
31. Cf. Lawrence Bowling, Dramatizing the Mind: A Study in the Stream
of Consciousness Method of Narration (Iowa doctoral dissertation,
1946).
CHAPTER XVII
Literary Genres
1. Croce, Aesthetic (tr. Ainslie), London, 1922. Cf. Chs. IX and XV.
2. N. H. Pearson, "Literary Forms and Types . . . ," English Institute
Annual, 1940 (1941), p. 59 ff., especially p. 70.
3. W. P. Ker, Form and Style in Poetry, London, 1928, p. 141.