theoryofliteratu00inwell

ff. 164-168] Notes 325
allgemeine Lautgesetze, Upsala, 1 941, supports these results by evi-
dence drawn from children's language and aphasia.
16. Cf., e.g., E. M. Hornbostel, "Laut und Sinn," in Festschrift Mein-
hof, Hamburg, 1927, pp. 329-48; Heinz Werner, Grundfragen der
Sfrachfhysiognomik, Leipzig, 1932. Katherine M. Wilson, Sound and
Meaning in English Poetry, London, 1930, is rather a general book
on metrics and sound-patterns. Roman Jakobson has in preparation a
book on "Sound and Meaning."
17. Convenient recent surveys are A. W. de Groot, "Der Rhythmus,"
Neofhilologus, XVII (1932), pp. 81-100, 177-97, 24 I_°5; and
Dietrich Sekel, Holderlins Sfrachrhythmus, Leipzig, 1937 (Palaestra
207), a book which contains a general discussion of rhythm and a full
bibliography.
18. E.g., in W. K. Wimsatt's The Prose Style of Samuel Johnson, New
Haven, 1941, pp. 5-8.
19. Joshua Steele, Prosodia Rationalis, or an Essay towards Establishing
the Melody and Measure of Sfeech, London, 1775.
20. Eduard Sievers, Rhythmisch-melodische Studien, Heidelberg, 191 2;
Ottmar Rutz, Musik, Wort und Korfer ah Gemiitsausdruck, Leipzig,
191 1, Sfrache, Gesang und Korferhaltung, Munich, 191 1, Mensch-
heitstyfen und Kunst, Jena, 1921; Gunther Ipsen and Fritz Karg,
Schallanalytische Versuche, Heidelberg, 1938, lists the literature on
this question.
21. O. Walzel, Gehalt und Gestalt im dichterischen Kunstwerk, Potsdam,
1923, pp. 96-105, 391-94. Gustav Becking, Der musikalische
Rhythmus als Erkenntnis quelle, Augsburg, 1923, is an admired, but
fantastic attempt to use Sievers' theories.
22. W. M. Patterson, The Rhythm of Prose, New York, 1916.
23. G. Saintsbury, A History of English Prose Rhythm, London, 191 3.
24. Oliver Elton, "English Prose Numbers," A Sheaf of Pafers, London,
1922; Morris W. Croll, "The Cadence of English Oratorical Prose,"
Studies in Philology, XVI (1919), pp. 1-55.
25. B. Tomashevsky, "Ritm prozy (po Pikovey Dame)" (Prose Rhythm,
according to the Queen of Shades), O Stikhe. Statyi. (Essays on
Verse), Leningrad, 1929.
26. Eduard Norden, Die antike Kunstfrosa, Leipzig, 1898, 2 vols., is
standard. Cf. also Albert de Groot, A Handbook of Antique Prose
Rhythm, Groningen, 1919.
27. Cf. William K. Wimsatt's The Prose Style of Samuel Johnson, New
Haven, 1 94 1.
28. G. Saintsbury, History of English Prosody, 3 vols., London, 1 906-10.
29. Bliss Perry, A Study of Poetry, London, 1920, p. 145.