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54<br />

Theory of Literature<br />

vised "foul papers" of the author or authors and sometimes a<br />

prompt copy which contained playhouse revisions and markings.<br />

Besides, there was a special class of bad "quartos" which were<br />

apparently printed either from memorial reconstruction or from<br />

actors' fragmentary parts or possibly from a primitive shorthand<br />

version. In recent decades, very much attention has been paid to<br />

these problems, and the Quartos of Shakespeare have been re-<br />

classified after the discoveries of Pollard and Greg. 16 Pollard<br />

demonstrated, on the basis of purely "bibliotic" knowledge, such<br />

as watermarks and type fonts, that certain Quartos of Shake-<br />

speare's plays were purposely antedated though actually printed<br />

in 1 619 as preparation for a collected edition which did not<br />

materialize.<br />

A close study of Elizabethan handwriting, partly based on<br />

the assumption that two pages in the preserved MS of a play<br />

Sir Thomas More are in the handwriting of Shakespeare himself,<br />

17 has had important implications for textual criticism, mak-<br />

ing it now possible to classify the likely misreadings of the Eliza-<br />

bethan compositor, while a study of printing house practices has<br />

shown what errors are likely or possible. But the wide margin<br />

which is still left for the individual editor in emending shows<br />

that no really "objective" method of textual criticism has been<br />

discovered. Certainly, many of the emendations introduced by<br />

Dover Wilson into his Cambridge edition seem as wild and un-<br />

necessary guesswork as some produced by eighteenth-century<br />

editors. But it is interesting that Theobald's brilliant guess,<br />

which, in Mrs. Quickly's account of FalstafPs death, changed<br />

the nonsensical "table of green fields" into "a babbled of green<br />

fields" is supported by the study of Elizabethan handwriting<br />

and spelling, i.e., "a babld" could have easily been mistaken for<br />

"a table."<br />

The convincing arguments that the Quartos (with the exception<br />

of a few bad ones) were most probably either printed from<br />

the author's MS or from a promptbook have restored authority<br />

to the earlier editions and have somewhat reduced the veneration<br />

in which the Folio had been held since the days of Dr.<br />

Johnson. The English textual scholars who, rather mislead-<br />

ingly, call themselves "bibliographers" (McKerrow, Greg, Pol-<br />

lard, Dover Wilson, etc.) have tried to ascertain, in each case,

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