theoryofliteratu00inwell

344 Notes [fp. 264-273
8. Oliver Elton, A Survey of English Literature, 1780-1830, London,
191 2, Vol. I, p. vii.
9. L. Cazamian, UEvolution fsychologique de la litterature en Angle-
terre, Paris, 1920, and the second half of E. Legouis and L. Cazamian,
Histoire de la litterature anglaise, Paris, 1924.
10. W. P. Ker, "Thomas Warton" (1910), Essays, London, 1922. Vol. I,
p. 100.
11. T. S. Eliot, "Tradition and Individual Talent," The Sacred Wood,
London, 1920, p. 42.
12. R. S. Crane, "History versus Criticism in the University Study of
Literature," The English Journal, College Edition, XXIV (1935),
pp. 645-67.
13. F. J. Teggart, Theory of History, New Haven, 1925.
14. Cf. bibliography, Section III.
15. Cf. bibliography, Section III.
16. R. D. Havens, Milton's Influence on English Poetry, Cambridge,
Mass., 1922.
1 7. Cf. these discussions: R. N. E. Dodge's "A Sermon on Source-hunt-
ing," Modern Philology, IX (1911-12), pp. 211-23; Hardin Craig,
"Shakespeare and Wilson's Arte of Rhetorique: An Inquiry into the
Criteria for Determining Sources," Studies in Philology, XXVIII
(193 1 ), pp. 86-98; George C. Taylor, "Montaigne—Shakespeare and
the Deadly Parallel," Philological Quarterly, XXII (1943), pp. 330-
37 (giving a curious list of the 75 types of evidence actually used in
such studies) ; David Lee Clark, "What was Shelley's Indebtedness
to Keats?" PMLA, LVI (1941), pp. 479-97 (an interesting refuta-
tion of parallels drawn by J. L. Lowes).
18. Cf. H. O. White, Plagiarism and Imitation during the English Renais-
sance, Cambridge, Mass., 1935; Elizabeth M. Mann, "The Problem
of Originality in English Literary Criticism, 1 750-1 800," Philo-
logical Quarterly, XVIII (1939), pp. 97-118; Harold S. Wilson,
"Imitation," Dictionary of World Literature (ed. J. T. Shipley),
New York, 1943, pp. 315-17.
19. Sidney Lee, Elizabethan Sonnets, 2 vols., London, 1904.
20. Wolfgang Clemen, Shakesfeares Bilder, ihre Entzvicklung und ihre
Funktionen im dramatischen Werk, Bonn, 1936.
21. George Saintsbury, A History of English Prosody, 3 vols., 1 906-1 0;
A History of English Prose Rhythm, Edinburgh, 1 91 2.
22. Benedetto Croce, "Storia di temi e storia letteraria," Problemi di
Estetica, Bari, 1 9 10, pp. 80-93.
23. E.g., Andre Jolles, Einfache Formen, Halle, 1930; A. N. Veselovsky,
Istoricheskaya Poetika, ed. V. M. Zhirmunsky, Leningrad, 1940 (a se-