theoryofliteratu00inwell

300 Notes [ff. 7-16
in Criticism [ed. Schorer, Miles, McKenzie], N. Y., 1948, pp. 393-
403); Scott Elledge, "The Background and Development in English
Criticism of the Theories of Generality and Particularity," ibid., pp.
147-82.
II. R. G. Collingwood, "Are History and Science Different Kinds of
Knowledge?" Mind, XXXI (1922), pp. 449-50, and Pitirim
Sorokin, Social and Cultural Dynamics, Cincinnati, 1937, Vol. I,
pp. 168-74, etc.
CHAPTER II
The Nature of Literature
1. Edwin Greenlaw, The Province of Literary History, Baltimore,
1931, p. 174.
2. Mark van Doren, Liberal Education, New York, 1943.
3. Thomas C. Pollock, The Nature of Literature, Princeton, 1942.
4. Most of the work of E. E. Stoll is relevant here. See also L. L.
Schiicking, Charakterp-oble?ne bei Shakespeare, Leipzig, 191 9 (Eng-
lish tr., London, 1922) and L. C. Knights, Hozv Many Children
Had Lady Macbeth? , Cambridge, 1 93 3 (reprinted in Explorations,
London, 1946, pp. 15-54). Recent treatments of conventionalism
vs. naturalism in the drama are S. L. Bethell, Shakespeare and the
Popular Dramatic Tradition, Durham, N. C, 1944, and Eric Bent-
ley, The Playwright as Thinker, New York, 1946.
5. For remarks on time in the novel, cf. Edwin Muir, The Structure
of the Novel, London, 1928. For the treatment of time in other
genres, cf. T. Zielinski, "Die Behandlung gleichzeitiger Vorgiinge
im antiken Epos," Philologus, Supplenie?itband, VIII (1899-1901),
pp. 405-499; Leo Spitzer, "Uber zeitliche Perspektive in der neueren
franzosischen Lyrik," Die neueren Sprachen, XXXI (1923), pp. 241-
66 (reprinted, Stilstudien, II, Munich, 1928, pp. 50-83); Oskar
Walzel, "Zeitform im lyrischen Gedicht," Das Wortkunstzcerk, Leip-
zig, 1926, pp. 277-96.
6. Adolf von Hildebrand, Das Problem der For?n in der bilde?iden
Kimst, third edition, Strassburg, 190 1 (English tr., New York,
1907). Cf. also Hermann Konnerth, Die Kimsttheorie Conrad
Fiedlers, Munich, 1909; Alois Riehl, "Bemerkungen zu dem Prob-
lem der Form in der Dichtkunst," Vierteljahrschrift fur zvissen-
schaftliche Philosophie, XXI (1897), pp. 283-306, XXII (1898),
96-114 (an application of the concept of pure visibility to litera-
ture) ; also Benedetto Croce, "La Teoria dell'arte come pura visi-
bility, " Nuovi Saggi di Estetica, Bari, 1920, pp. 239-54.