theoryofliteratu00inwell

366
Bibliography
Ransom, John Crowe, The New Criticism, Norfolk, Conn., 1 94
, The World's Body, New York, 1938
Richards, I. A., Practical Criticism, London, 1929
Spitzer, Leo, "Etude ahistorique d'un texte," Modem Language Quarterly,
I (1940), pp. 7" 22
, "History of Ideas versus Reading of Poetry," Southern Review,
VI (1940), pp. 584-609
, JJamour lointain de Jaufre Rudel et le sens de la poe-sie des trou-
badours, Chapel Hill, 1944 (University of North Carolina Studies in
Romance Languages and Literatures. No. 5)
-, Stilstudien, 2 vols., Munich, 1928
Tate, Allen, Reactionary Essays on Poetry and Ideas, New York, 1936
, Reason in Madness, New York, 1 94
Unger, Leonard, "Notes on Ash Wednesday" Southern Review, IV
(i939)> PP- 745-70
Vossler, Karl, Leopardi, Munich, 1923
Walzel, Oskar, Gehalt und Gestalt im dichterischen Kunstwerk, Berlin,
1923 (part of series: Handbuch der Literaturwissenschaft, ed.
O. Walzel)
, Das Wortkunstwerk: Mittel seiner Erforschung, Leipzig, 1926
V. DISCUSSIONS OF "INTENTION" IN LITERARY WORKS
Coomaraswamy, Amanda K., "Intention," American Bookman, I (1944),
pp. 41-8
Walcutt, Charles Child, "Critic's Taste and Artist's Intention," The Uni-
versity of Kansas City Review, XII (1946), pp. 278-83
Walzel, Oskar, "Kiinstlerische Absicht," Germanisch-romanische Monats-
schrift, VIII (1920), pp. 329-31
Wimsatt, W. K., Jr., and Beardsley, Monroe C, "Intention," Dictionary
of World Literature (ed. J. T. Shipley), New York, 1944, pp.
326-29
, "The Intentional Fallacy," Sewanee Review, LIV (1946), pp.
468-88
CHAPTER XIII
Euphony, Rhythm, and Meter
I. EUPHONY, SOUND-PATTERNS, RHYME, ETC.
Bate, Walter Jackson, The Stylistic Development of Keats, New York,
1945
Brik, Osip, "Zvukovie povtory" (Sound-patterns), Poetika, Petersburg,
1919
Ehrenfeld, A., Studien %ur Theorie des Reims, 2 vols., Zurich, 1897, 1904
1
1