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ft- 53S9] Notes 307<br />

1942, pp. 129-58; A. Pope, The Dunciad (ed. James Sutherland),<br />

London, 1943.<br />

I 5. Sigurd B. Hustvedt, Ballad Books and Ballad Men, Cambridge, Massa-<br />

chusetts, 1930.<br />

16. Cf. bibliography, Section II.<br />

17. Shakespeare's Hand in The Play of Sir Thomas More, Cambridge,<br />

1923 (contributions by A. W. Pollard, W. W. Greg, Sir E. M.<br />

Thompson, J. D. Wilson, and R. W. Chambers) ; S. A. Tannenbaum,<br />

The Booke of Sir Thomas More, New York, 1927.<br />

18. The Tempest (ed. Sir A. Quiller-Couch and J. D. Wilson), Cam-<br />

bridge, 1 92 1, p. xxx.<br />

19. E. K. Chambers, "The Integrity of The Tempest," Review of English<br />

Studies, I (1925), pp. 129-50; S. A. Tannenbaum, "How Not<br />

to Edit Shakespeare: A Review," Philological Quarterly, X (1931),<br />

pp. 97-137; H. T. Price, "Towards a Scientific Method of Textual<br />

Criticism in the Elizabethan Drama," Journal of English and Ger-<br />

manic Philology, XXXVI (1937), pp. 151-67 (actually concerned<br />

with Dover Wilson, Robertson, etc.).<br />

20. Michael Bernays, Zur Kritik und Geschichte des Goetheschen Textes,<br />

Munich, 1866, was the beginning of "Goethe-philologie." Cf. also<br />

R. W. Chapman, "The Textual Criticism of English Classics," The<br />

Portrait of a Scholar, Oxford, 1922, pp. 65-79.<br />

21. Cf. bibliography, Section III.<br />

22. Michael Bernays, "Zur Lehre von den Zitaten und Noten," Schriften<br />

zur Kritik und Literaturgeschichte, Berlin, 1899, Vol. IV, pp. 253-<br />

347; Arthur Friedman, "Principles of Historical Annotation in Critical<br />

Editions of Modern Texts," English Institute Annual, 1941, New<br />

York, 1942, pp. 115-28.<br />

23. Edmond Malone, "An Essay on the Chronological Order of Shake-<br />

speare's Plays," George Steevens' edition of Shakespeare's Plays (Sec-<br />

ond ed. 1788, Vol. I, pp. 269-346) was the first successful attempt.<br />

Metrical tables based on the work of Fleay, Furnivall, and Konig in<br />

T. M. Parrott's Shakespeare: Twenty-three Plays and the Sonnets,<br />

New York, 1938, p. 94.<br />

24. James Hurdis, Cursory Remarks upon the Arrangement of the Plays<br />

of Shakespeare, London, 1792.<br />

25. Wincenty Lutoslawski, The Origin and Growth of Plato's Logic with<br />

an Account of Plato's Style and the Chronology of his Writings, Lon-<br />

don, 1897; for comment cf. John Burnet, Platonism, Berkeley, 1928,<br />

pp. 9-12.<br />

26. Giles Dawson, "Authenticity and Attribution of Written Matter,"<br />

English Institute Annual, 1942, New York, 1943, pp. 77-100 ; G. E.

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