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CHAPTER VI<br />

The Ordering- and Establishing;: of Evidence<br />

One of the first tasks of scholarship is the assembly of its<br />

materials, the careful undoing of the effects of time, the examination<br />

as to authorship, authenticity, and date. Enormous acumen<br />

and diligence have gone into the solution of these problems j yet<br />

the literary student will have to realize that these labors are<br />

preliminary to the ultimate task of scholarship. Often the im-<br />

portance of these operations is particularly great, since without<br />

them, critical analysis and historical understanding would be<br />

hopelessly handicapped. This is true in the case of a half-buried<br />

literary tradition such as that of Anglo-Saxon literature ; but for<br />

the student of most modern literatures, concerned with the<br />

literary meaning of the works, the importance of these studies<br />

should not be overrated. They have either been needlessly ridi-<br />

culed because of their pedantry or glorified for their supposed or<br />

real exactitude. The neatness and perfection with which certain<br />

problems can be solved have always attracted minds which enjoy<br />

orderly procedure and the intricacies of manipulation, quite apart<br />

from any final significance which they may have. These studies<br />

need to be criticized adversely only when they usurp the place<br />

of other studies and become a specialty mercilessly imposed on<br />

every student of literature. Literary works have been edited<br />

meticulously, passages emended and debated in the greatest de-<br />

tail which, from a literary or even historical point of view, are<br />

not worth discussing at all. Or, if they are worth it, have had<br />

only the kind of attention the textual critic gives to a book. Like<br />

other human activities, these exercises often become ends in<br />

themselves.<br />

Among these preliminary labors one has to distinguish two<br />

levels of operations: ( i) the assembling and preparing of a text;<br />

and (2) the problems of chronology, authenticity, authorship,<br />

collaboration, revision and the like, which have been frequently<br />

49

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