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pp. 104-108] Notes 317<br />

and the Rise of Capitalism, London, 1926 (new ed. with Preface,<br />

1937); Joachim Wach, The Sociology of Religion, Chicago, 1944.<br />

32. Cf. the criticism of Pitirim A. Sorokin, Contemporary Sociological<br />

Theories, New York, 1928, p. 710.<br />

33. P. A. Sorokin, Fluctuations of Forms of Art, Social and. Cultural<br />

Dynamics, Vol. I, New York, 1937, especially Chapter I.<br />

34. Edwin Berry Burgum, "Literary Form: Social Forces and Innova-<br />

tions," Sewanee Review, XLIX (1941), pp. 325-338 (reprinted in<br />

The Novel and the World's Dilemma, New York, 1947).<br />

35. Fritz Briiggemann, "Der Kampf urn die biirgerliche Welt- und Leb-<br />

ensauffassung in der deutschen Literatur des 18. Jahrhunderts,"<br />

Deutsche Vierteljahrschrift fur Literaturzvissensehaft und Geistes-<br />

geschichte, III (1925), pp. 94-127.<br />

36. Erich Auerbach, Mimesis: Dargestellte Wirklichkeit in der abend-<br />

landischen Literatur, Bern, 1946, passim, esp. pp. 76, 94, 494-5.<br />

37. Karl Biicher, Arbeit und Rhythmus, Leipzig, 1896; J. E. Harrison,<br />

Ancient Art and Ritual, New York, 191 3 ;<br />

Themis, Cambridge, 191 2;<br />

George Thomson, Aeschylus and Athens, A Study in the Social Origins<br />

of the Drama, London, 1941, and Marxism and Poetry, London, 1945<br />

(a small pamphlet of great interest, with application to Irish mate-<br />

rials) ; Christopher Caudwell, Illusion and Reality, London, 1937;<br />

Kenneth Burke, Attitudes toward History, New York, 1937; Marett,<br />

Robert R. (ed.), Anthropology and the Classics, Oxford, 1908.<br />

chapter x<br />

Literature and Ideas<br />

1. Hermann Ulrici, Uber Shakespeares dramatische Kunst, 1839.<br />

2. George Boas, Philosophy and Poetry, Wheaton College, Mass., 1932,<br />

P- 9-<br />

3. T. S. Eliot, Selected Essays, New York, 1932, pp. 11 5-6.<br />

4. E.g., "God's in his Heaven; all's right with the world" is an asser-<br />

tion that God has necessarily created the best of all possible worlds.<br />

"On earth the broken arch; in heaven, a perfect round" is the argument<br />

from the limited to the infinite, from the awareness of incom-<br />

pletion to the possibility of completion, etc.<br />

5. The main theoretical pronouncements are the introduction by A. O.<br />

Lovejoy to The Great Chain of Being, Cambridge, Mass., 1936, pp.<br />

3-23, and "The Historiography of Ideas," Proceedings of the Ameri-<br />

can Philosophical Society, LXXVII (1937-8), pp. 529-43. Reprinted<br />

in Essays in the History of Ideas, Baltimore, 1948, pp. 1-1 3. Cf. also<br />

Marjorie Nicolson, "The History of Literature and the History of

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