theoryofliteratu00inwell

ft- I 73- I 8°] Notes 327
44. Jan Mukarovsky, "Intonation comme facteur de rhythme poetique,"
Archives neerlandaises de phonetique experimentale, VTII-IX (1933),
pp. 153-65.
45. Eduard Fraenkel, Iktus und Akzent im lateinischen Sprechvers, Berlin,
1928.
46. Some beginnings are to be found in Albert H. Licklider, Chapters on
the Metric of the Chaucerian Tradition, Baltimore, 19 10.
47. A. Meillet, Les Origines indoeuropeennes des metres grecs, Paris, 1923.
48. Roman Jakobson, "Uber den Versbau der serbokroatischen Volksepen,"
Archives neerlandaises de phonetique experimental , VIII-IX (1933)?
pp. 135-153.
49. Thomas MacDonagh {Thomas Campion and the Art of English Poetry,
Dublin, 1 91 3) distinguishes between song, speech and chant verse.
50. Boris E. Eikhenbaum, Melodika lyricheskogo stikha {The Melody of
Lyrical Verse), St. Petersburg, 1922.
51. See the criticism of Eikhenbaum in Viktor Zhirmunsky's Voprosy teorii
literatury {Questions of the Theory of Literature), Leningrad, 1928.
CHAPTER XIV
Style and Stylistics
1. F. W. Bateson, English Poetry and the English Language, Oxford,
1934, p. vi.
2. K. Vossler, Gesammelte Aufs'dtze zur Sprachphilosophie, Munich,
1923, p. 37.
3. Vossler, Frankreichs Kultur im Spiegel seiner Sprachentzvicklung,
Heidelberg, 191 3 (new ed., 1929, as Frankreichs Kultur und
Sprache) ; Viktor Vinogradov, Yazyk Pushkina {Pushkin's Language),
Moscow, 1935.
4. These are the results of P. Verrier's careful experiments as given in
Essai sur les principes de la metrique anglaise, Paris, 1 909-1 0, Vol. I,
p. 113.
5. A. H. King, The Language of Satirized Characters in Poetaster', a
Socio-Stylistic Analysis, i^gj-1602, Lund Studies in English, Vol. X,
Lund, 1941; Wilhelm Franz, Shakespearegrammatik, Halle, 1898-
1900 (new ed. Heidelberg, 1924); Lazare Sainean, La Langue de
Rabelais, 2 vols., Paris, 1922-23. For a full bibliography, cf. Guerlin
de Guer, "La Langue des ecrivains," Qu'en sont les etudes de Fran-
cais? (ed. A. Dauzat), Paris, 1935, pp. 227-337.
6. See bibliography, Section I.
7. From Tennyson's "Edwin Morris," drawn from H. C. Wyld, Some
Aspects of the Diction of English Poetry, Oxford, 1933. There is a