theoryofliteratu00inwell

pp. 6i-*J3\ Notes 309
ticity of Hroswitha's Works," Modern Language Notes, LXi (1946),
pp. 50-55; Andre Mazon, Le Slovo d'lgor, Paris, 1940; Henri
Gregoire, Roman Jakobson, et al. (ed.), La Geste du Prince Igor,
New York, 1948.
35. The best account in English is in Paul Selver's Masaryk: A Biog-
raphy, London, 1940.
36. John Carter and Graham Pollard, An Enquiry into the Nature of
Certain Nineteenth Century Pamphlets, London, 1934; Wilfred Partington,
Forging Ahead: The True Story of ... T. J. Wise, New
York, 1939; Letters of Thomas J. Wise to J. H. Wrenn (ed. Fannie
E. Ratchford), New York, 1944 (The introduction implicates H.
Buxton Forman and, unconvincingly, Edmund Gosse.)
CHAPTER VII
Literature and Biography
1. S. T. Coleridge, in a letter to Thomas Poole, Feb., 1797, Letters, ed.
E. H. Coleridge, London, 1895, Vol. I, p. 4.
2. Cf. bibliography, Section I.
3. Cf. bibliography, Section II.
4. Georg Brandes, William Shakes peare, 2 vols., Copenhagen, 1896
(English tr., 2 vols., London, 1898); Frank Harris, The Man Shake-
speare, New York, 1909.
5. C. J. Sisson, The Mythical Sorrows of Shakespeare, British Academy
Lecture, 1934; E. E. Stoll, u The Tempest,'''' Shakespeare and other
Masters, Cambridge, Mass., 1940, pp. 281-316.
6. John Keats, Letter to Richard Woodhouse, October 27, 181 8, Letters
(ed. H. B. Forman), 2nd ed., Oxford, 1935, p. 228. Cf. W. J. Bate,
Negative Capability : The Intuitive Approach in Keats, Cambridge,
Mass., 1939; T. S. Eliot, "Tradition and Individual Talent," The
Sacred Wood, London, 1920, pp. 42-53.
7. Brandes, op. cit., p. 425. H. Kingsmill, Matthew Arnold, London,
1928, pp. 147-9-
8. Ramon Fernandez, "L'Autobiographie et le Roman: l'Exemple de
Stendhal," Messages, Paris, 1926, pp. 78-109; George W. Meyer,
Wordsworth's Formative Years, Ann Arbor, Mich., 1943.
9. Wilhelm Dilthey, Das Erlebnis und die Dichtung, Leipzig, 1 907;
Friedrich Gundolf, Goethe, Berlin, 1916 (a distinction is made be-
tween Urerlebnis and Bildungserlebnis)
10. V. Moore, The Life and Eager Death of Emily Bronte, London,
1936; Edith E. Kinsley, Pattern for Genius, New York, 1939 (a
biography piecing together quotations from the Brontes' novels with
.