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74<br />

Theory of Literature<br />

ever, it seems dangerous to ascribe to it any real critical impor-<br />

tance. No biographical evidence can change or influence critical<br />

evaluation. The frequently adduced criterion of "sincerity" is<br />

thoroughly false if it judges literature in terms of biographical<br />

truthfulness, correspondence to the author's experience or feelings<br />

as they are attested by outside evidence. Byron's "Fare<br />

Thee Well . . ." is neither a worse nor a better poem because<br />

it dramatizes the poet's actual relations with his wife, nor "is it a<br />

pity," as Paul Elmer More thinks, that the MS shows no traces<br />

of the tears which, according to Thomas Moore's Memoranda,<br />

fell on it. 11 The poem exists ; the tears shed or unshed, the personal<br />

emotions, are gone and cannot be reconstructed, nor need<br />

they be.

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