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ROSETTA_MAGAZINE_201303

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124<br />

on your trousers, you should not.” Finally<br />

I had found a good expression. Depending<br />

on where I was, I stretched this expression<br />

to relate to my grandfather and told how<br />

much this expression meant to the men in<br />

our family, explaining about the ritual-like<br />

coming of age ceremony day, this was told<br />

to me as I embellished it with tears and<br />

became ever-more enthused. Now that you<br />

are dead (there are those who believe the<br />

opposite but I know the truth) I can sugarcoat<br />

the only advice left from you to me.<br />

Don’t fret, trust me… Here I am standing at<br />

attention and promising you: Father, your<br />

advice will be echoing in my ears until I die,<br />

I will behave the way you wanted me to. I<br />

will be careful with each step as I walk this<br />

long path of life and even if I walk through<br />

rough roads I will make sure not to get<br />

mud on my trousers because, my dear<br />

father, I haven’t even bent over to clean the<br />

mud on my trousers and I will not, either.<br />

It’s not like we don’t have common<br />

grounds. Now that I think about it, there<br />

are perhaps more common grounds<br />

than necessary. The strangest of all<br />

these common grounds is that I saw<br />

the same things as you when I started<br />

primary school forty years after you did. A<br />

photograph of our Atatürk hanging right<br />

above the blackboard… If you ever caused<br />

any mischief in class he knit his eyebrows<br />

and got very angry. He got so angry that I<br />

got scared to the point of almost wetting<br />

myself. However, if we did our homework<br />

well, didn’t misbehave as the teacher<br />

spoke and we didn’t upset our parents he<br />

smiled so beautifully I felt like going near<br />

the photograph and kissing it. How could<br />

a photograph enliven so many feelings<br />

at the same time? Just like your child’s<br />

mind forty years ago didn’t comprehend it<br />

my befuddled mind didn’t comprehend it<br />

either.<br />

To either side of our Atatürk’s photograph<br />

there are two badly drawn and coloured<br />

paintings hanging askew on the wall in<br />

ugly frames. On the right (could have also<br />

been on the left, I confused my right and<br />

left in those years) Alp Arslan is on the<br />

back of his white horse in Malazgirt and<br />

pointing ahead with his index finger. There<br />

are men in chainmail coats behind him<br />

with moustaches each weighing a couple<br />

of pounds. I want to think of them as his<br />

friends but everyone has such a bad look<br />

on their faces that I am not sure. They<br />

have flags, spears, swords in their hands<br />

and they are walking in the direction that<br />

Alp Arslan’s finger is indicating. They<br />

are so determined that they do not see<br />

their horses are treading people under<br />

foot. There is a blond, freckled boy in the<br />

classroom and he says, “They are not<br />

people, bro’, they are infidels and Alp<br />

Arslan is shitting in their mouths.”<br />

I shudder; I hadn’t heard that swear word<br />

ever before. I still don’t understand what<br />

kind of profanity it is, why someone would<br />

shit in someone else’s mouth…<br />

Hasan of Uluabat is holding a Turkish<br />

flag in his hand and is to the left of the<br />

photograph of our Atatürk. The teacher<br />

tells us the story behind these two pictures<br />

in the first lesson. I am only slightly scared<br />

of Alp Arslan but I actually really fear<br />

Hasan. His entire body is covered with<br />

arrows stuck in him, in his chest, shoulder,<br />

arms and there is even an arrow lodged<br />

in his kneecap. My kneecaps felt stingy, I<br />

am six years old and already empathising<br />

deeply. I delve into the expression of pain<br />

on his handlebar moustached face and<br />

cannot take in the lesson on curved and<br />

straight lines. I couldn’t learn reading<br />

and writing on time because of Hasan of<br />

Uluabat as I didn’t understand why he<br />

carried a Turkish flag and now, as I recall<br />

the first day you brought me to class, I<br />

looked above the blackboard and said<br />

“I cannot believe this, these were here<br />

when I was going to school, too.” I feel like<br />

breaking down in tears. I wish I could have<br />

asked you before you died whether you<br />

were also perplexed by the photograph of<br />

Atatürk which distinguished between the<br />

naughty and well-behaved children and if<br />

you were also scared of Hasan’s scream?<br />

We buried so many things into our own<br />

history before having the chance to talk<br />

about them father, didn’t we?<br />

What we should call an invasion and what<br />

we should call a conquest was a subject<br />

that tickled my mind while preparing for<br />

composition homework during secondary<br />

school. I remember we talked at length<br />

as you smoked your extra-long Maltepe<br />

cigarettes, sitting at either end of the<br />

folding table on the balcony. I recall how<br />

patiently you explained, righteous wars,<br />

unfair wars, short-term existences,<br />

arrivals that seemed to last a hundred<br />

centuries, constructions, plundering,<br />

conceding, maintaining control of an<br />

enemy and cultural developments... Our<br />

conversation had followed this route into a<br />

long chat.<br />

I recently understood what a standpoint<br />

means but I still have a big question mark<br />

lurking in my head, my dear father: What<br />

125<br />

should we call an invasion and what should<br />

we call a conquest?<br />

If I remember correctly there are a few<br />

lines of your handwriting in blunt-pointed<br />

red pencil on one of the drafts of that<br />

composition homework. I wish your<br />

handwriting was with me right now.<br />

My dear father, I could tell you more about<br />

the funeral but I do not want to make false<br />

pretences permanent. The ceremony came<br />

to an end the way you’d imagine. Just as<br />

Oğuz Atay said in the most beautiful letter<br />

ever written to a father; “After the coffin<br />

was placed in the grave large concrete<br />

blocks were placed on top of them. I do not<br />

like this technical tradition, my dear father;<br />

I am against insurmountable barriers.”<br />

Now I am think and wondering if our<br />

love for each other was also a technical<br />

tradition. I do not know. Now I just look,<br />

father. I am looking at the world trying to<br />

understand what you saw. I look without<br />

searching for a realm of peace with predrawn<br />

borders, without being scared of<br />

being plebeian and animalistic; I only shove<br />

it into the pages of notebooks, collect, copy<br />

and imprison them. I look at the world but<br />

it must be because of the difference in our<br />

perspectives that I cannot see this rotten<br />

world the way you did.<br />

My dear father, after the concrete blocks<br />

were placed – I hope you don’t take any<br />

offence- but there was quite a bit of trouble.<br />

The workers wanted to cover the blocks<br />

with plastic in order to prevent slumping but<br />

your engineer nephew who didn’t even come<br />

to visit you once during your sickness told<br />

them the placing of plastic would quicken<br />

the slumping. As they argued, your cousin<br />

from-which-side-of-the-family-I-have-no-

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