ROSETTA_MAGAZINE_201303
ROSETTA_MAGAZINE_201303
ROSETTA_MAGAZINE_201303
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124<br />
on your trousers, you should not.” Finally<br />
I had found a good expression. Depending<br />
on where I was, I stretched this expression<br />
to relate to my grandfather and told how<br />
much this expression meant to the men in<br />
our family, explaining about the ritual-like<br />
coming of age ceremony day, this was told<br />
to me as I embellished it with tears and<br />
became ever-more enthused. Now that you<br />
are dead (there are those who believe the<br />
opposite but I know the truth) I can sugarcoat<br />
the only advice left from you to me.<br />
Don’t fret, trust me… Here I am standing at<br />
attention and promising you: Father, your<br />
advice will be echoing in my ears until I die,<br />
I will behave the way you wanted me to. I<br />
will be careful with each step as I walk this<br />
long path of life and even if I walk through<br />
rough roads I will make sure not to get<br />
mud on my trousers because, my dear<br />
father, I haven’t even bent over to clean the<br />
mud on my trousers and I will not, either.<br />
It’s not like we don’t have common<br />
grounds. Now that I think about it, there<br />
are perhaps more common grounds<br />
than necessary. The strangest of all<br />
these common grounds is that I saw<br />
the same things as you when I started<br />
primary school forty years after you did. A<br />
photograph of our Atatürk hanging right<br />
above the blackboard… If you ever caused<br />
any mischief in class he knit his eyebrows<br />
and got very angry. He got so angry that I<br />
got scared to the point of almost wetting<br />
myself. However, if we did our homework<br />
well, didn’t misbehave as the teacher<br />
spoke and we didn’t upset our parents he<br />
smiled so beautifully I felt like going near<br />
the photograph and kissing it. How could<br />
a photograph enliven so many feelings<br />
at the same time? Just like your child’s<br />
mind forty years ago didn’t comprehend it<br />
my befuddled mind didn’t comprehend it<br />
either.<br />
To either side of our Atatürk’s photograph<br />
there are two badly drawn and coloured<br />
paintings hanging askew on the wall in<br />
ugly frames. On the right (could have also<br />
been on the left, I confused my right and<br />
left in those years) Alp Arslan is on the<br />
back of his white horse in Malazgirt and<br />
pointing ahead with his index finger. There<br />
are men in chainmail coats behind him<br />
with moustaches each weighing a couple<br />
of pounds. I want to think of them as his<br />
friends but everyone has such a bad look<br />
on their faces that I am not sure. They<br />
have flags, spears, swords in their hands<br />
and they are walking in the direction that<br />
Alp Arslan’s finger is indicating. They<br />
are so determined that they do not see<br />
their horses are treading people under<br />
foot. There is a blond, freckled boy in the<br />
classroom and he says, “They are not<br />
people, bro’, they are infidels and Alp<br />
Arslan is shitting in their mouths.”<br />
I shudder; I hadn’t heard that swear word<br />
ever before. I still don’t understand what<br />
kind of profanity it is, why someone would<br />
shit in someone else’s mouth…<br />
Hasan of Uluabat is holding a Turkish<br />
flag in his hand and is to the left of the<br />
photograph of our Atatürk. The teacher<br />
tells us the story behind these two pictures<br />
in the first lesson. I am only slightly scared<br />
of Alp Arslan but I actually really fear<br />
Hasan. His entire body is covered with<br />
arrows stuck in him, in his chest, shoulder,<br />
arms and there is even an arrow lodged<br />
in his kneecap. My kneecaps felt stingy, I<br />
am six years old and already empathising<br />
deeply. I delve into the expression of pain<br />
on his handlebar moustached face and<br />
cannot take in the lesson on curved and<br />
straight lines. I couldn’t learn reading<br />
and writing on time because of Hasan of<br />
Uluabat as I didn’t understand why he<br />
carried a Turkish flag and now, as I recall<br />
the first day you brought me to class, I<br />
looked above the blackboard and said<br />
“I cannot believe this, these were here<br />
when I was going to school, too.” I feel like<br />
breaking down in tears. I wish I could have<br />
asked you before you died whether you<br />
were also perplexed by the photograph of<br />
Atatürk which distinguished between the<br />
naughty and well-behaved children and if<br />
you were also scared of Hasan’s scream?<br />
We buried so many things into our own<br />
history before having the chance to talk<br />
about them father, didn’t we?<br />
What we should call an invasion and what<br />
we should call a conquest was a subject<br />
that tickled my mind while preparing for<br />
composition homework during secondary<br />
school. I remember we talked at length<br />
as you smoked your extra-long Maltepe<br />
cigarettes, sitting at either end of the<br />
folding table on the balcony. I recall how<br />
patiently you explained, righteous wars,<br />
unfair wars, short-term existences,<br />
arrivals that seemed to last a hundred<br />
centuries, constructions, plundering,<br />
conceding, maintaining control of an<br />
enemy and cultural developments... Our<br />
conversation had followed this route into a<br />
long chat.<br />
I recently understood what a standpoint<br />
means but I still have a big question mark<br />
lurking in my head, my dear father: What<br />
125<br />
should we call an invasion and what should<br />
we call a conquest?<br />
If I remember correctly there are a few<br />
lines of your handwriting in blunt-pointed<br />
red pencil on one of the drafts of that<br />
composition homework. I wish your<br />
handwriting was with me right now.<br />
My dear father, I could tell you more about<br />
the funeral but I do not want to make false<br />
pretences permanent. The ceremony came<br />
to an end the way you’d imagine. Just as<br />
Oğuz Atay said in the most beautiful letter<br />
ever written to a father; “After the coffin<br />
was placed in the grave large concrete<br />
blocks were placed on top of them. I do not<br />
like this technical tradition, my dear father;<br />
I am against insurmountable barriers.”<br />
Now I am think and wondering if our<br />
love for each other was also a technical<br />
tradition. I do not know. Now I just look,<br />
father. I am looking at the world trying to<br />
understand what you saw. I look without<br />
searching for a realm of peace with predrawn<br />
borders, without being scared of<br />
being plebeian and animalistic; I only shove<br />
it into the pages of notebooks, collect, copy<br />
and imprison them. I look at the world but<br />
it must be because of the difference in our<br />
perspectives that I cannot see this rotten<br />
world the way you did.<br />
My dear father, after the concrete blocks<br />
were placed – I hope you don’t take any<br />
offence- but there was quite a bit of trouble.<br />
The workers wanted to cover the blocks<br />
with plastic in order to prevent slumping but<br />
your engineer nephew who didn’t even come<br />
to visit you once during your sickness told<br />
them the placing of plastic would quicken<br />
the slumping. As they argued, your cousin<br />
from-which-side-of-the-family-I-have-no-