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Schoeck_2010_EnvyATheoryOfSocialBehaviour.pdf

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ACTING IN THE FACE OF DIVINE ENVY 151<br />

ical theories. His view of the phenomenon enables it to be included in my<br />

general theory of envy.<br />

Aeschylus spoke of the envy of the gods as of a venerable and<br />

immemorial doctrine. Dodds points out that the idea that too much<br />

success, if boasted about, involves supernatural danger is found independently<br />

in the most diverse cultures. Hence it must be deeply rooted in<br />

human nature, as can be seen from our own custom of touching wood<br />

immediately after making an optimistic or boastful remark which a<br />

subsequent event might cause us to regret. 20<br />

Levy-Bruhl and others have found among many primitive peoples a<br />

non-moralizing belief that awareness of one's own favourable position<br />

invites danger from some sort of power. This conception appears in a<br />

moralizing form in ancient China: 'If you are rich and of high degree,<br />

you become proud and so expose yourself to inevitable ruin. If all goes<br />

well with you, it is expedient to keep yourself in the background' (Tao Te<br />

Ching, 4th century B.C.).<br />

In this connection it is tempting to recall the song from the American<br />

musical Oklahoma! ('I got a wonderful feeling, everything's going my<br />

way'): It is no doubt an indication of the relatively carefree American<br />

national character and the American's relative freedom from fear of<br />

divine envy-a fact of decisive importance-that a song of this kind<br />

could become popular and even conceivable as a folk song. Most cultures<br />

would regard this self-satisfied couplet as a most dangerous challenge<br />

to fate.<br />

Dodds also cites the Old Testament, in which God's envy is mentioned<br />

several times, as for instance in Isaiah (1O:12ff.), and believes that the<br />

uninhibited boasting of Homeric characters shows that the envy of the<br />

gods was not really taken seriously at that time. It was not until late<br />

archaic and early classical times that the fear of phthonos assumed the<br />

proportions almost of a religious threat. The notion then gradually<br />

became a moralistic one: it is not just that the mere sin of too much<br />

success incurs the punishment of a divine power simply because the<br />

latter is envious; rather, it is believed that success leads to koros,<br />

self-satisfaction, which in turn gives rise to hubris, the arrogance of<br />

assured success. And this is punished. 21<br />

20 E. R. Dodds, The Greeks and the Irrational. Berkeley and Los Angeles, 1951, p. 30.<br />

21 Op. cit., pp. 30 ff.

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