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Schoeck_2010_EnvyATheoryOfSocialBehaviour.pdf

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268 IN PRAISE OF POVERTY<br />

(although it is still far from attainable in practice, even for those who<br />

have the money).<br />

Is there then any luxury article, any pleasure, any property regardless<br />

of size, or any form of existence which, in principle, social change,<br />

technical progress or political shift is unable to legitimize and protect<br />

against envy? We would be hard put to it to name one.<br />

What we call culture in the narrower sense-Le., high culturearises<br />

only where envy has been successfully diverted away from the<br />

'alien' character of the elite minority. Spengler has stated it bluntly:<br />

There is one other thing that belongs of necessity to a ripe culture. That is<br />

property, the thought of which causes delirious outbursts of envy and hatred<br />

from the vulgar-minded. Property, that is, in the original sense: old and<br />

permanent possession, inherited from fore-fathers or acquired over long<br />

years by the heavy and devoted work of the owner. . .. 9<br />

For spending as such, for dissipation, for parvenu ostentation and<br />

extravagance, Spengler shows nothing but contempt, but he makes a<br />

distinction that is often overlooked:<br />

This must be said again and again, and particularly in these days when<br />

'national' revolutionaries in Germany rave like mendicant friars about<br />

universal poverty and squalor-in delightful agreement with the Marxists,<br />

who declare the possession of any sort of wealth to be criminal and immoral<br />

and war upon everything that has this superiority in things of high culture<br />

and any who surpass others in the ability to acquire, maintain, and worthily<br />

use property, and that from envy of such ability, which they themselves<br />

completely lack. High culture is inseparably bound up with luxury and<br />

wealth. Luxury, that matter-of-course environment of things of culture that<br />

belongs spiritually to one's personality, is a premise of all creative periods. 10<br />

The cult of poverty<br />

If we consider the cult of poverty in antiquity and in the Middle Ages,<br />

the German youth movement between 1900 and 1930, and Marxist<br />

movements and their disciples, drawn from both working and middle<br />

9 Oswald Spengler, HourojDecision, London, 1934, p. 97.<br />

lOOp. cit., pp. 101-2.

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