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Schoeck_2010_EnvyATheoryOfSocialBehaviour.pdf

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164 THE ENVIOUS MAN IN FICTION<br />

charged with that prime element of Radcliffian romance, the mysterious, as<br />

any that the ingenuity of the author of The Mysteries of Udolpho could<br />

devise. For what can more partake of the mysterious than an antipathy<br />

spontaneous and profound, such as is evoked in certain exceptional mortals<br />

by the mere aspect of some other mortal, however harmless he may be, if<br />

not called forth by this very harmlessness itself?2<br />

The novelist thus perceives something that the modern social scientist<br />

is seldom able to perceive, because the latter seeks the primary cause of<br />

evil outside the perpetrator. Envy, hatred and hostility may be provoked<br />

in the aggressor while the man with whom the stimuli originated can in<br />

no way prevent this from happening. Only self-disfigurement or selfabasement<br />

might prevent envy in the other. With an understanding of the<br />

problems of human relations on board a warship-problems which<br />

modern small-group research, in costly and laborious experiments,<br />

claims to have solved anew-Melville describes the social climate in<br />

which the drama is played out:<br />

Now there can exist no irritating juxtaposition of dissimilar personalities<br />

comparable to that which is possible aboard a great warship fully manned<br />

and at sea. There, every day among all ranks almost every man comes into<br />

more or less of contact with almost every other man. Wholly there to avoid<br />

even the sight of an aggravating object one must needs give it Jonah's toss or<br />

jump overboard himself. Imagine how all this might eventually operate on<br />

some peculiar human creature the direct reverse of a saint. 3<br />

Many a novelist and most sociologists of our time would be content to<br />

cut short the analysis of Claggart at this point. Melville continues: 'But<br />

for the adequate comprehending of Claggart by a normal nature these<br />

hints are insufficient. To pass from a normal nature to him one must<br />

cross "the deadly space between." And this is best done by indirection.<br />

,4<br />

So far, Melville has not introduced the concept of envy or resentment.<br />

He first recounts a conversation he had once had with a scholar on the<br />

2 Op. cit., pp. 672 f.<br />

3 Op. cit., p. 673.<br />

4 Op. cit., p. 673.

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