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VitrA Çağdaş Mimarlık Dizisi - Arkitera

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Considering the spatial identity and cultural heritage of Eyüp and its surroundings, the<br />

major design objective of this project was to incorporate characteristics that achieve<br />

cultural continuity while avoiding the sense of artificiality that can be caused by an<br />

additive approach. In this respect, the functional program was separated into four<br />

different spatial components that represent four different periods: “the Green Courtyard”,<br />

“the Riwaq Wall”, “the Green Shed” and “the Flower”. The combination of these<br />

different components pays tribute to the cultural and spatial heritage of Eyüp. Meant<br />

to be perceived and experienced as additions from various periods, these four different<br />

components were designed to appear as if theyhad lost some features over time. This<br />

approach provides an additional loosening and moderation in the spatial structure.<br />

✎<br />

The local authorities in Istanbul aimed to improve the alluvium infill zones around<br />

Alibeyköy Stream in Eyüp until it flows into Haliç Bay, developing a series of social and<br />

sports facilities on the green corridor obtained by this improvement. The Metropolitan<br />

Municipality of Istanbul has commissioned the design of the former plantation area on<br />

this green corridor to include social spaces that respond to the needs of the region.<br />

Similar to the urban and social variety of Eyüp, four different functional areas have been<br />

brought together along a zigzag pedestrian path that diagonally traverses the park area.<br />

Besides the varying programs, views, colors and textures that they present, these four<br />

areas also provide a rich experience with transitions from the calmness to dynamism,<br />

from silence to noise, from soft ground to paved ground and many others. Rather than<br />

using a constant design language and rigidly defined functions, this idea of transition<br />

has also been influential in the design process through concepts such as fragmentation,<br />

dissolution of borders and intertwining that allow the coexistence of different spatialities<br />

and territories. Rather than a rigid geometrical formation, a design approach in<br />

which different fields and programs are intertwined and fragmented architectural and<br />

structural components are distributed over the site has been chosen. Different from<br />

the modernist approach in the conventional environmental and landscape projects designed<br />

as spaces with rigid borders the park has been organized with L-formed pieces<br />

of walls that have a strong spatiality and components that have indefinite territories,<br />

such as the steel tree structure. Besides the plurality of the design techniques that it<br />

exhibits, Green Courtyard (Eyüp Ottoman Park) stands out as a manifesto among the<br />

examples of environmental design in Turkey with its sense-based and intuitive design<br />

approach.<br />

Initiated with the title “Eyüp Park Environmental Design-The Green Courtyard”, the project<br />

significantly differs from the formalist environmental design approach commonly<br />

observed in contemporary park designs. With its extraordinary design approach that<br />

generates the sensory experiences of the guests and intuition, and the contemporary<br />

language used to construct this approach, Eyüp Ottoman Park can be considered one<br />

of the most striking urban and environmental design projects recently carried out in<br />

Turkey.<br />

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