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69249454-chandler-semiotics

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102<br />

SEMIOTICS: THE BASICS<br />

universals of the human mind, cutting across cultural distinctions<br />

(Lévi-Strauss 1972, 21). His synchronic studies of cultural practices<br />

identified underlying semantic oppositions in relation to such<br />

phenomena as myths, totemism and kinship rules. Individual myths<br />

and cultural practices defy interpretation, making sense only as a<br />

part of a system of differences and oppositions expressing fundamental<br />

reflections on the relationship of nature and culture. He<br />

argued that binary oppositions form the basis of underlying ‘classificatory<br />

systems’, while myths represented a dreamlike working over<br />

of a fundamental dilemma or contradiction within a culture,<br />

expressed in the form of paired opposites. Apparently fundamental<br />

oppositions such as male–female and left–right become transformed<br />

into ‘the prototype symbols of the good and the bad, the permitted<br />

and the forbidden’ (Leach 1970, 44; cf. Needham 1973).<br />

Lévi-Strauss argued that within a culture ‘analogical thought’<br />

leads to some oppositions (such as edible–inedible) being perceived<br />

as metaphorically resembling the ‘similar differences’ of other oppositions<br />

(such as native–foreign) (Lévi-Strauss 1962/1974).<br />

This yields a series of homologous oppositions, such as raw<br />

is to cooked as nature is to culture (in structuralist shorthand ‘raw :<br />

cooked :: nature : culture’) (Lévi-Strauss 1969), or – in the Cartesian<br />

dualism of the modern Western world – culture : nature :: people :<br />

animals :: male : female :: reason : passion (Tapper 1994, 50). The<br />

classification systems of a culture are a way of encoding differences<br />

within society by analogy with perceived differences in the natural<br />

world (somewhat as in Aesop’s Fables) (Lévi-Strauss 1969, 90–1,<br />

cf. 75–6, 96–7). They transform what are perceived as natural categories<br />

into cultural categories and serve to naturalize cultural<br />

practices. ‘The mythical system and the modes of representation<br />

it employs serve to establish homologies between natural and<br />

social conditions or, more accurately, it makes it possible to equate<br />

significant contrasts found in different planes: the geographical,<br />

meteorological, zoological, botanical, technical, economic, social,<br />

ritual, religious and philosophical’ (ibid., 93). The aggregation of<br />

fourfold distinctions associated with Aristotle’s ‘four elements’ and<br />

sustained in various combinations over two millenia are of this kind<br />

(Chandler 2002, 102–3). The alignments which develop within such

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